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Fortællerfiktionen
Kritik af den rene narratologi
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Alle litterære tekster har en fortæller, som ikke er identisk med forfatteren; det blev slået fast som en ubestridelig lov, da narratologien opstod i slutningen af 1960'erne. Fortællerfiktionen undersøger, hvordan myten om fortælleren blev til - og giver et detaljeret billede af, hvordan den blev både forvandlet og befæstet i Gérard Genettes skelsættende fortælleteori.Denne bogs kritiske næranalyse af Genettes Discours du récit (1972) og Nouveau discours du récit (1983) viser, hvordan den franske teoretiker løser og forenkler en række centrale problemer i traditionel fortælleteori. Især med termen fokalisering leverer han et redskab til analyse af de måder, hvorpå den fortalte verdens synsvinkler arbejder i fortællende tekster.Men fokaliseringsbegrebet viser sig også at være det punkt, hvorudfra nye teorier må fortsætte. Fortællefiktionen udpeger og diskuterer de vigtigste nye spørgsmål: Hvordan ved vi, at det er fortælleren og ikke forfatteren, der anvender fokalisering? Er det egentlig sikkert, at alle tekster har en fortæller? Og hvad betyder det for tekstens karakter af fiktion?
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Aarhus University Press; December 2008
242 pages; ISBN 9788771242423
Read online, or download in secure PDF format
242 pages; ISBN 9788771242423
Read online, or download in secure PDF format
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ISBNs
8771242422
9788771242423
9788779340237