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No musical genre has had a more chequered critical history than the concerto and yet simultaneously retained as consistently prominent a place in the affections of the concert-going public. This volume, one of very few to deal with the genre in its entirety, assumes a broad remit, setting the concerto in its musical and non-musical contexts, examining the concertos that have made important contributions to musical culture, and looking at performance-related topics. A picture emerges of a genre in a continual state of change, re-inventing itself in the process of growth and development and regularly challenging its performers and listeners to broaden the horizons of their musical experience.
Cambridge University Press; October 2005
338 pages; ISBN 9781139817233
Read online, or download in EPUB or secure PDF format
338 pages; ISBN 9781139817233
Read online, or download in EPUB or secure PDF format
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ISBNs
1139797670
9780521834834
9781139797672
9781139817233