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Plato and the English Romantics

Plato and the English Romantics
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Plato and the English Romantics tackles the problematic relationship between Platonic philosophy and Romantic poetry, between the intellect (Apollo) and the emotions (Dionysus). It looks above all at the daemonic `mania' or passionate intensity, where both philosophical and poetic discourse originate.

Plato's paradoxical choice of a dramatic (Dionysian) logos reminds us of the ritualistic and religious origins of both philosophy and poetry. We see that the concern with self-knowledge for the purpose of transcending the self is common to both Platonic and Romantic texts, and that Plato's recognition of `the philosophical frenzy' finds an echo in Wordsworth's definition of passion as `highest reason' and Coleridge's evocation to `some Sun that shall unite Light and Warmth'. These indications that the presence of the `heat' of feeling is inseparable from the `light' of thought demonstrates that the emotive and the intellectual faculties are not necessarily at odds, but can be united in the `passionate mind', capable of producing either philosophy or poetry.

Plato and the English Romantics shows that dialogue between `thinking' and `poetizing' is possible. Kabitoglou draws on contemporary critical theory, notably hermeneutics and deconstruction, to give many new insights into Platonic and Romantic texts.
Routledge; June 1990
ISBN 9780203405611
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