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Musical Representations, Subjects, and Objects
The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber
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Jairo Moreno adapts the methodologies and nomenclature of Foucault's "archaeology of knowledge" and applies it through individual case studies to the theoretical writings of Zarlino, Descartes, Rameau, and Weber. His conclusion summarizes the conditions -- musical, philosophical, and historical -- that "make a certain form of thought about music necessary and possible at the time it emerges."
Musical Meaning and Interpretation -- Robert S. Hatten, editor
Indiana University Press; December 2004
257 pages; ISBN 9780253111197
Read online, or download in secure PDF format
257 pages; ISBN 9780253111197
Read online, or download in secure PDF format
Subject categories
- Academic > Performing Arts > Literature on music > Literature on music > Aesthetics
- Academic > Performing Arts > Literature on music > Literature on music > acoustics of music. Physiological aspects of music
- Academic > Performing Arts > Literature on music > Periodicals. Serials
- Academic > Performing Arts > Literature on music > Festivals. Congresses
- Academic > Performing Arts > Literature on music
- Academic > Performing Arts
- Academic > Humanities
- Music > Instruction & Study
- Music > History & Criticism
- Music
- Philosophy
ISBNs
9780253344571
9780253111197
0253111196