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Poetry and Philosophy from Homer to Rousseau
Romantic Souls, Realist Lives
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How do human beings experience themselves? I "have" my emotions, passions or feelings, my ideas, thoughts or reasons, my memories or dreams; I "make" decisions and choices: but what is this "I" which does the "having" and the "making"? Sometimes philosophers make this question explicit in their work. But often they don't, and poets hardly ever do. If we read some of the greatest works of poetry and philosophy in the Western world, the Iliad, Antigone, the Divine Comedy, Coriolanus, the Confessions, the Meditations, the Republic, Mark's Gospel, the Epistle to the Romans, the Prince, we usually find Homer, Dante, Shakespeare, Rousseau, Augustine, Plato or Machiavelli simply working with a conception of the "self". For many of them this "I" is something like a nucleus, an inner point out of which decisions and reasoning just issue forth: the feelings, memories etc. are all "outside" it, like a kind of envelope. And other people have equivalent centres of self. But for other writers there is no nucleus of this kind; all the passions, ideas, memories and reasons together, even the decisions and choices, just are the self. I am my emotions, ideas and decisions. To an extent I also am other selves; they and their passions and ideas are not always so distinct from me and mine. This book explores a dozen or more of these great works to see which writer thinks which, and why this might be important.
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Palgrave Macmillan; November 2004
229 pages; ISBN 9780230502772
Read online, or download in secure PDF format
229 pages; ISBN 9780230502772
Read online, or download in secure PDF format
Subject categories
- Academic > Performing Arts > Theater > Comedy > General works
- Academic > Performing Arts > Theater > Comedy > Special topics
- Academic > Performing Arts > Theater > Tragedy > General works
- Academic > Performing Arts > Theater > Tragedy > History and criticism
- Academic > Performing Arts > Theater > Tragedy > Special topics A-Z
- Academic > Performing Arts > Theater > Historical Plays > General works
- Academic > Performing Arts > Theater > Historical Plays > Special topics A-Z
- Academic > Performing Arts > Theater > History > Comprehensive, American and English
- Academic > Performing Arts > Theater > History > Compends, outlines, etc.
- Academic > Performing Arts > Theater > History > Medieval, general works
- Academic > Performing Arts > Theater > History > Medieval miracle plays, mysteries,
- Academic > Performing Arts > Theater > History > Renaissance, general works
- Academic > Performing Arts > Theater > History > Renaissance, special topics
- Academic > Performing Arts > Theater > History > Modern, general works
- Academic > Performing Arts > Theater > History > Modern, special topics
- Academic > Performing Arts > Theater > History > 17th century
- Academic > Performing Arts > Theater > History > 18th century
- Academic > Performing Arts > Theater > History > 19th century
- Academic > Performing Arts > Theater > History > 20th century
- Academic > Performing Arts > Theater > Technique of dramatic composition > General works, American and English
- Academic > Performing Arts > Theater > Technique of dramatic composition > General works, German
- Academic > Performing Arts > Theater > Technique of dramatic composition > Tragic effect
- Academic > Performing Arts > Theater > Technique of dramatic composition > Irony
- Academic > Performing Arts > Theater > Technique of dramatic composition > Character treatment
- Academic > Performing Arts > Theater > Technique of dramatic composition > Play within a play
- Academic > Literature > Poetry > Relations to, and treatment of, special subjects
- Academic > Performing Arts > Theater > Study and Teaching
- Academic > Performing Arts > Theater > Criticism
- Academic > Performing Arts > Theater > Biography of Critics
- Academic > Literature > Periodicals
- Academic > Literature > Authorship
- Philosophy > Western
- Literary Criticism > Poetry
- Literary Criticism > Semiotics & Literary Theory
- Poetry
ISBNs
0230502776
9780230502772
9781403944184
