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Fredric Jameson
A Critical Reader
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Fredric Jameson is probably the most important cultural critic writing today, the world's foremost exponent of critical theory and the major theorist of postmodernity. This volume brings together original work from internationally recognised scholars that critically engages with the full range of Jameson's work, including: Sartre; Lukács; 'Third World' literature; architecture and community politics; the economics of post-modernity; the political unconscious of globalisation; film; dialectics and Brecht. In a series of lively, and at times iconoclastic, readings the authors challenge accepted views of Jameson's work and locate his project in the historical, political and institutional context that shaped it. The volume tracks Jameson's career from the New Left and the rethinking of Marxism in the 1950s and '60s through the rise of postmodernism and post-colonialism to the present, with the emergence of the World Social Forum and a global anti-capitalist movement. Contributors include: Clint Burnham, Maria Elisa Cevasco, Michael Chanan, Christian A. Gregory, Sean Homer, Neil Lazarus, Esther Leslie, John O'Kane, Chris Pawling and Slavoj Zizek.
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Palgrave Macmillan; March 2004
265 pages; ISBN 9780230523524
Read online, or download in secure PDF format
265 pages; ISBN 9780230523524
Read online, or download in secure PDF format
Subject categories
- Academic > Literature > Literary history > By period > Modern
- Academic > Performing Arts > Theater > Comedy > General works
- Academic > Performing Arts > Theater > Comedy > Special topics
- Academic > Performing Arts > Theater > Tragedy > General works
- Academic > Performing Arts > Theater > Tragedy > History and criticism
- Academic > Performing Arts > Theater > Tragedy > Special topics A-Z
- Academic > Performing Arts > Theater > Historical Plays > General works
- Academic > Performing Arts > Theater > Historical Plays > Special topics A-Z
- Academic > Performing Arts > Theater > History > Comprehensive, American and English
- Academic > Performing Arts > Theater > History > Compends, outlines, etc.
- Academic > Performing Arts > Theater > History > Medieval, general works
- Academic > Performing Arts > Theater > History > Medieval miracle plays, mysteries,
- Academic > Performing Arts > Theater > History > Renaissance, general works
- Academic > Performing Arts > Theater > History > Renaissance, special topics
- Academic > Performing Arts > Theater > History > Modern, general works
- Academic > Performing Arts > Theater > History > Modern, special topics
- Academic > Performing Arts > Theater > History > 17th century
- Academic > Performing Arts > Theater > History > 18th century
- Academic > Performing Arts > Theater > History > 19th century
- Academic > Performing Arts > Theater > History > 20th century
- Academic > Performing Arts > Theater > Technique of dramatic composition > General works, American and English
- Academic > Performing Arts > Theater > Technique of dramatic composition > General works, German
- Academic > Performing Arts > Theater > Technique of dramatic composition > Tragic effect
- Academic > Performing Arts > Theater > Technique of dramatic composition > Irony
- Academic > Performing Arts > Theater > Technique of dramatic composition > Character treatment
- Academic > Performing Arts > Theater > Technique of dramatic composition > Play within a play
- Academic > Performing Arts > Theater > Study and Teaching
- Academic > Performing Arts > Theater > Criticism
- Academic > Performing Arts > Theater > Biography of Critics
- Academic > Literature > Periodicals
- Philosophy > Political
- Literary Criticism > Semiotics & Literary Theory
- Social Science > Sociology
ISBNs
0230523528
9780230523524
9780333982099

