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Too Beautiful to Picture
Zeuxis, Myth, and Mimesis
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Few tales of artistic triumph can rival the story of Zeuxis. As first
reported by Cicero and Pliny, the painter Zeuxis set out to portray
Helen of Troy, but when he realized that a single model could not match
Helen’s beauty, he combined the best features of five different models.
A primer on mimesis in art making, the Zeuxis myth also illustrates
ambivalence about the ability to rely on nature as a model for ideal
form. In Too Beautiful to Picture, Elizabeth C. Mansfield engages the
visual arts, literature, and performance to examine the desire to make
the ideal visible. She finds in the Zeuxis myth evidence of a cultural
primal scene that manifests itself in gendered terms. Mansfield
considers the many depictions of the legend during the Renaissance and
questions its absence during the eighteenth century. Offering
interpretations of Angelica Kauffman’s paintings, Mary Shelley’s
Frankenstein, and Picasso’s Les Demoiselles d’Avignon, Mansfield also
considers Orlan’s carnal art as a profound retelling of the myth.
Throughout, Mansfield asserts that the Zeuxis legend encodes an
unconscious record of the West’s reliance on mimetic representation as
a vehicle for metaphysical solace. Elizabeth C. Mansfield is associate
professor of art history at the University of the South.
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University of Minnesota Press; February 2007
256 pages; ISBN 9780816698165
Read online, or download in secure PDF format
256 pages; ISBN 9780816698165
Read online, or download in secure PDF format
