(If any tax is payable it will be calculated and shown at checkout.)
Print & copy permissions
About the author
CAROLINE B. COONEY is the bestselling author of more than 30 young adult books, including the million-copy plus bestseller, The Face on the Milk Carton.
The kidnapping is long past. Janie Johnson can never change what happened to her or to the families that love her. But finally life seems to be settling down for the Springs and the Johnsons.
The worst part of this new life for Janie is that Reeve Shields is away at college. Janie misses him terribly, no matter how many e-mails they send each other. As for Reeve, he's finding life at college overwhelming. He goes to work at the school radio station, hoping a late-night gig will give him what he craves--popularity and fame. Reeve gets his chance to be the voice on the radio, and when he tells the most fascinating story he knows, his show becomes a sensation. Reeve is so sure that Janie will never discover what's making his
broadcast such a hit that he doesn't stop himself. But what will be the price for Janie?
As Janie knew, the facts about the little girl on the milk carton had to be uncovered, no matter how much pain they caused. Now the truth about what Reeve is doing must come out. Whose voice will help Janie when she must face not only her incredible past, but also her unknown future?
With the page-turning suspense that made The Face on the Milk Carton and Whatever Happened to Janie? best-sellers, Caroline B. Cooney once again explores the meaning of betrayal, the power of words, and the intensity of love.
From the Hardcover edition.
Random House Children's Books
; October 2008
276 pages; ISBN 9780375892073Read online
, or download in secure PDF format
Title: The Voice on the Radio
Author: Caroline B. Cooney
Derek Himself stared incredulously. Cal, a deejay, and Vinnie, the station manager, who were the other two guys at the station tonight, looked up from their paperwork. All three began to snicker, and then actually to snort, with laughter, although background noise was forbidden when the mike was on; it would be picked up and broadcast. Once upon a time? A beginning for kindergartners. A beginning for fairy tales and picture books.
Reeve would never live it down. He really would have to transfer.
He pictured Cordell laughing at him. Laughed at by a roommate stupider and smellier than anybody on campus? He imagined the guys in the dorm yelling Loser! Loser! Guys he wanted to be friends with but hadn't pulled it off yet. Guys who would not be polite about how worthless Reeve was.
"Once upon a time," he repeated helplessly, stuck in horrible repetition of that stupid phrase.
And then talk arrived, like a tape that had come in the mail. For Reeve Shields really did know a story that began with "Once upon a time."
"I dated a dizzy redhead. Dizzy is a compliment. Janie was light and airy. Like hope and joy. My girlfriend," he said softly, into the microphone. Into the world.
"You know the type. Really cute, fabulous red hair, lived next door. Good in school, of course, girls like that always are. Janie had lots of friends and she was crazy about her mom and dad, because that's the kind of family people like that have."
Never had Reeve's voice sounded so rich and appealing.
"Except," said Reeve, "except one day in the school cafeteria, a perfectly ordinary day, when kids were stealing each other's desserts and spilling each other's milk, Janie just happened to glance down at the picture of that missing child printed on the milk carton."
His slow voice seemed to draw a half-pint of milk, with its little black-and-white picture of a missing child. It was almost visible, that little milk carton, that dim and wax-covered photograph.
"And the face on the milk carton," said Reeve, "was Janie herself."
He deepened his voice, moving from informative into mysterious. "They can't fit much information on the side of a half-pint," said Reeve, "but the milk carton said that little girl had been missing since she was three. Missing for twelve years."
In radio, you could not see your audience. Reeve could not know whether he really did have an audience. Radio was faith.
"Can you imagine if your daughter, or your sister, had disappeared twelve years ago? Twelve years have gone by, and yet you still believe. Surely somehow, somewhere, she must be waiting, and listening. You haven't given up hope. You refuse to admit she's probably dead by now, probably was dead all along. You believe there is a chance in a million that if you put her picture on a milk carton, she'll see it."
Beyond the mike, Reeve imagined dormitories--kids slouched on beds and floors, listening. Listening to him.
"Well," said Reeve, "she saw it."
From the Hardcover edition.
Saying Goodbye - Huffington Post (blog)
Tue, 08 Jan 2013 05:49:50 -0800
Huffington Post (blog)Saying GoodbyeHuffington Post (blog)Many years ago, I was walking through La Guardia Airport. The ...
In the press
Praise for The Voice on the Radio:
*"Cooney's outstanding command of emotional tension has taken this novel to extraordinary heights."
--School Library Journal, starred review
*"Readers of Cooney's addictive The Face on the Milk Carton and Whatever Happened to Janie? can start licking their chops."
--Publishers Weekly, starred review
*"A 'must purchase' . . . . The Voice on the Radio elicits a powerful response in readers and is a real page-turner, so plan to purchase multiple copies to satisfy the demands of your teen readers."
--Voice of Youth Advocates (VOYA)
Also by Caroline B. Cooney:
The Face on the Milk Carton is an IRA-CBC Children's Choice book, and Whatever Happened to Janie? was selected as an ALA Best Book for Young Adults.
From the Paperback edition.