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National Theatres in a Changing Europe
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This new collection of essays addresses the historic and contemporary roles of National Theatres in Europe (such as those in London, Paris, Helsinki and Moscow) and the changing artistic, social, political and economic circumstances that have created a crisis for their position as cultural flagships today. Leading international theatre scholars including Marvin Carlson, Laurence Senelick, Loren Kruger, Willmar Sauter, Bruce McConachie and Thomas Irmer examine National Theatres throughout Europe, analyzing their structures and roles in society, and illuminating the problems that they are currently facing. Edgaras Klivis, Barbara Susec Michieli and Kalina Stefanova provide surprising perspectives on Baltic, Balkan and Eastern European countries, in the aftermath of recent political and cultural transitions. Dragan Klaic, from Serbia and the Netherlands, proposes a novel approach to National Theatre repertories, and Michael Coveney and Janelle Reinelt reflect on the practices of the National Theatre of London and on the implications of the newly created National Theatre of Scotland.
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Palgrave Macmillan; February 2008
276 pages; ISBN 9780230582910
Read online, or download in secure PDF format
276 pages; ISBN 9780230582910
Read online, or download in secure PDF format
Subject categories
- Academic > Literature > Drama > Special types > Special regions or countries
- Academic > Performing Arts > Theater > Comedy > General works
- Academic > Performing Arts > Theater > Comedy > Special topics
- Academic > Performing Arts > Theater > Tragedy > General works
- Academic > Performing Arts > Theater > Tragedy > History and criticism
- Academic > Performing Arts > Theater > Tragedy > Special topics A-Z
- Academic > Performing Arts > Theater > Historical Plays > General works
- Academic > Performing Arts > Theater > Historical Plays > Special topics A-Z
- Academic > Performing Arts > Theater > History > Comprehensive, American and English
- Academic > Performing Arts > Theater > History > Compends, outlines, etc.
- Academic > Performing Arts > Theater > History > Medieval, general works
- Academic > Performing Arts > Theater > History > Medieval miracle plays, mysteries,
- Academic > Performing Arts > Theater > History > Renaissance, general works
- Academic > Performing Arts > Theater > History > Renaissance, special topics
- Academic > Performing Arts > Theater > History > Modern, general works
- Academic > Performing Arts > Theater > History > Modern, special topics
- Academic > Performing Arts > Theater > History > 17th century
- Academic > Performing Arts > Theater > History > 18th century
- Academic > Performing Arts > Theater > History > 19th century
- Academic > Performing Arts > Theater > History > 20th century
- Academic > Performing Arts > Theater > Technique of dramatic composition > General works, American and English
- Academic > Performing Arts > Theater > Technique of dramatic composition > General works, German
- Academic > Performing Arts > Theater > Technique of dramatic composition > Tragic effect
- Academic > Performing Arts > Theater > Technique of dramatic composition > Irony
- Academic > Performing Arts > Theater > Technique of dramatic composition > Character treatment
- Academic > Performing Arts > Theater > Technique of dramatic composition > Play within a play
- Academic > Performing Arts > Special regions or countries > Europe
- Academic > Performing Arts > Special regions or countries > General works
- Academic > Performing Arts > Theater > Study and Teaching
- Academic > Performing Arts > Theater > Criticism
- Academic > Performing Arts > Theater > Biography of Critics
- Academic > Literature > Periodicals
- Academic > Literature > Societies
- Performing Arts > Theater
- Poetry
ISBNs
0230582915
9780230521094
9780230582910