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Ornamenten van het vergeten, zo typeert Walter Benjamin in Zum Bilde Prousts de typische vertelstructuur van diens grote werk A la recherche du temps perdu. Op zoek naar de verloren tijd orchestreert Proust het vergeten. Dit vergeten is "de zwarte muur waartegen zich enkele motieven vertonen, en het is dankzij deze zwarte muur dat de schimmen geprojecteerd, verlengd, uitvergroot kunnen worden". (Stefan Hertmans) Herinneren en vergeten gaan hand in hand, ook in de geschiedschrijving, al zullen vermoedelijk weinig geschiedschrijvers hun eigen werk typeren als het orchestreren van het vergeten. Wat voor patronen doen zich voor in de verhouding tussen herinneren en vergeten? Hoe produceert het vergeten een bepaald beeld van de theatergeschiedenis en wat voor beeld is dat? Welke rol spelen zg. crises in de manier waarop de geschiedenis van theater geschreven wordt, wat is de rol van mythes en schandalen? Welke makers, voorstellingen, ontwikkelingen etc. die nu onzichtbaar deel zijn van de zwarte muur waartegen de geschiedenis verschijnt, verdienen een plaats in die geschiedenis, en waarom? Zijn alternatieve strategieën denkbaar (en wenselijk) voor de manier waarop geschiedenis 'gecomponeerd' wordt? Wat is de relatie tussen geschiedschrijving en repertoire? Welke rol speelt deze relatie in de geschiedenis van verschillende vormen van theater (toneel, dans, cabaret, mime etc.)?
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Amsterdam University Press; January 2007
159 pages; ISBN 9789048501144
Read online, or download in secure PDF format
159 pages; ISBN 9789048501144
Read online, or download in secure PDF format
Subject categories
- Academic > Performing Arts > Theater > Comedy > General works
- Academic > Performing Arts > Theater > Comedy > Special topics
- Academic > Performing Arts > Theater > Tragedy > General works
- Academic > Performing Arts > Theater > Tragedy > History and criticism
- Academic > Performing Arts > Theater > Tragedy > Special topics A-Z
- Academic > Performing Arts > Theater > Historical Plays > General works
- Academic > Performing Arts > Theater > Historical Plays > Special topics A-Z
- Academic > Performing Arts > Theater > History > Comprehensive, American and English
- Academic > Performing Arts > Theater > History > Compends, outlines, etc.
- Academic > Performing Arts > Theater > History > Medieval, general works
- Academic > Performing Arts > Theater > History > Medieval miracle plays, mysteries,
- Academic > Performing Arts > Theater > History > Renaissance, general works
- Academic > Performing Arts > Theater > History > Renaissance, special topics
- Academic > Performing Arts > Theater > History > Modern, general works
- Academic > Performing Arts > Theater > History > Modern, special topics
- Academic > Performing Arts > Theater > History > 17th century
- Academic > Performing Arts > Theater > History > 18th century
- Academic > Performing Arts > Theater > History > 19th century
- Academic > Performing Arts > Theater > History > 20th century
- Academic > Performing Arts > Theater > Technique of dramatic composition > General works, American and English
- Academic > Performing Arts > Theater > Technique of dramatic composition > General works, German
- Academic > Performing Arts > Theater > Technique of dramatic composition > Tragic effect
- Academic > Performing Arts > Theater > Technique of dramatic composition > Irony
- Academic > Performing Arts > Theater > Technique of dramatic composition > Character treatment
- Academic > Performing Arts > Theater > Technique of dramatic composition > Play within a play
- Academic > Literature > Drama > Special types
- Academic > Literature > Authorship > Technique. Literary composition, etc.
- Academic > Performing Arts > History > Comprehensive works
- Academic > Performing Arts > Theater > Study and Teaching
- Academic > Performing Arts > Theater > Criticism
- Academic > Performing Arts > Theater > Biography of Critics
- Academic > Literature > Periodicals
- Academic > Literature > Societies
- Performing Arts > Theater
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ISBNs
9048501148
9789048501144
9789053564080