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Ophelia Joined the Group Maidens Who Don't Float
Classic Lit Signs on to Facebook
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In the bestselling tradition of Stuff White People Like and I Can Has Cheezburger?, the next online humor sensation makes the leap to book form When humorist Sarah Schmelling transformed Hamlet into a Facebook news feed, it launched the next big humor trend-Facebook lit. This hilarious book is the first to bring more than fifty authors and stories from classic literature back to life and online. Schmelling uses the conventions of social networking- profile pages, status updates, news feeds, and applications-to retell everything from The Odyssey to The Adventures of Huckleberry Finn to Lolita.
At last, your favorite characters and authors from classic literature have caved to the pressure and joined a social network. William Shakespeare, with a little help from author Sarah Schmelling, recruits everyone from Jane Austen to Oedipus Rex to James Joyce to his online booke club group. Of course, mayhem soon ensues:
-Mark Twain infiltrates Oscar Wilde's profile page and challenges him to a "quip off."
-Jane Eyre listens to "Hard Knock Life" on repeat.
-Hamlet becomes a fan of Daggers.
-Dracula wonders why this "Edward" and "Bella" are people he may know.
A loving spoof of the most-trafficked social networking website in the world and a playful game of literary who's who, Ophelia Joined the Group Maidens Who Don't Float will have book lovers and Facebook addicts alike twittering with joy.
SARAH SCHMELLING is a journalist and humor writer. She is author of McSweeney Internet Tendency's popular "Hamlet Facebook News Feed Edition." She has written for the Los Angeles Times, the Washington Post, Newsweek, Spin, and Variety.
http://maidenswhodontfloat.com/
Penguin Group Inc.; August 2009
288 pages; ISBN 9781101133552
Read online, or download in EPUB, secure PDF format or MobiPocket
288 pages; ISBN 9781101133552
Read online, or download in EPUB, secure PDF format or MobiPocket
Subject categories
- Academic > Literature > Literary history > By period > Ancient
- Academic > Performing Arts > Theater > Comedy > General works
- Academic > Performing Arts > Theater > Comedy > Special topics
- Academic > Performing Arts > Theater > Tragedy > General works
- Academic > Performing Arts > Theater > Tragedy > History and criticism
- Academic > Performing Arts > Theater > Tragedy > Special topics A-Z
- Academic > Performing Arts > Theater > Historical Plays > General works
- Academic > Performing Arts > Theater > Historical Plays > Special topics A-Z
- Academic > Performing Arts > Theater > History > Comprehensive, American and English
- Academic > Performing Arts > Theater > History > Compends, outlines, etc.
- Academic > Performing Arts > Theater > History > Medieval, general works
- Academic > Performing Arts > Theater > History > Medieval miracle plays, mysteries,
- Academic > Performing Arts > Theater > History > Renaissance, general works
- Academic > Performing Arts > Theater > History > Renaissance, special topics
- Academic > Performing Arts > Theater > History > Modern, general works
- Academic > Performing Arts > Theater > History > Modern, special topics
- Academic > Performing Arts > Theater > History > 17th century
- Academic > Performing Arts > Theater > History > 18th century
- Academic > Performing Arts > Theater > History > 19th century
- Academic > Performing Arts > Theater > History > 20th century
- Academic > Performing Arts > Theater > Technique of dramatic composition > General works, American and English
- Academic > Performing Arts > Theater > Technique of dramatic composition > General works, German
- Academic > Performing Arts > Theater > Technique of dramatic composition > Tragic effect
- Academic > Performing Arts > Theater > Technique of dramatic composition > Irony
- Academic > Performing Arts > Theater > Technique of dramatic composition > Character treatment
- Academic > Performing Arts > Theater > Technique of dramatic composition > Play within a play
- Academic > Performing Arts > Theater > Study and Teaching
- Academic > Performing Arts > Theater > Criticism
- Academic > Performing Arts > Theater > Biography of Critics
- Academic > Literature > Periodicals
- Academic > Literature > Study and teaching
- Academic > Literature > Collections of general literature
- Literary Criticism > Humor
- Social Science > Popular Culture
ISBNs
9781101133552
9781101132715
9781101130193
9781101129357
9780452295735
1101130199