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Writing Around the World
A Guide To Writing Across Cultures
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Cultures use different writing strategies because they strive for different goals. Some cultures rely on writer responsibility while other cultures rely on reader responsibility. Writer responsibility emphasizes clear and concise prose, actions over subjects, practical implications, and follows a deductive logical structure. Misunderstandings are the writer’s responsibility. Reader responsibility emphasizes flowery and ornate prose, subjects instead of actions, theoretical implications, and follows an inductive logical structure. Misunderstandings are the reader’s responsibility. The differences between writer responsibility and reader responsibility help explain why some cultures prefer clarity when other cultures prefer complexity. The problem is that both writing styles are perfectly acceptable, but only within their given context. And this is why global writers need Writing Around the World.which: provides an overview to intercultural writing · explains the concept of the ‘deepest dimensions of culture’ · links language, thought, and culture · dissects two contrastive papers, including anatomy, basic principles, matters of form, and even style · connects logic and ethics with intercultural writing · offers tips and tools for writing around the world. less
Continuum International Publishing; March 2009
158 pages; ISBN 9781441195395
Read online, or download in secure PDF format
158 pages; ISBN 9781441195395
Read online, or download in secure PDF format
Subject categories
- Academic > Performing Arts > Theater > Comedy > General works
- Academic > Performing Arts > Theater > Comedy > Special topics
- Academic > Performing Arts > Theater > Tragedy > General works
- Academic > Performing Arts > Theater > Tragedy > History and criticism
- Academic > Performing Arts > Theater > Tragedy > Special topics A-Z
- Academic > Performing Arts > Theater > Historical Plays > General works
- Academic > Performing Arts > Theater > Historical Plays > Special topics A-Z
- Academic > Performing Arts > Theater > History > Comprehensive, American and English
- Academic > Performing Arts > Theater > History > Compends, outlines, etc.
- Academic > Performing Arts > Theater > History > Medieval, general works
- Academic > Performing Arts > Theater > History > Medieval miracle plays, mysteries,
- Academic > Performing Arts > Theater > History > Renaissance, general works
- Academic > Performing Arts > Theater > History > Renaissance, special topics
- Academic > Performing Arts > Theater > History > Modern, general works
- Academic > Performing Arts > Theater > History > Modern, special topics
- Academic > Performing Arts > Theater > History > 17th century
- Academic > Performing Arts > Theater > History > 18th century
- Academic > Performing Arts > Theater > History > 19th century
- Academic > Performing Arts > Theater > History > 20th century
- Academic > Performing Arts > Theater > Technique of dramatic composition > General works, American and English
- Academic > Performing Arts > Theater > Technique of dramatic composition > General works, German
- Academic > Performing Arts > Theater > Technique of dramatic composition > Tragic effect
- Academic > Performing Arts > Theater > Technique of dramatic composition > Irony
- Academic > Performing Arts > Theater > Technique of dramatic composition > Character treatment
- Academic > Performing Arts > Theater > Technique of dramatic composition > Play within a play
- Academic > Performing Arts > Theater > Study and Teaching
- Academic > Performing Arts > Theater > Criticism
- Academic > Performing Arts > Theater > Biography of Critics
- Academic > Literature > Periodicals
- Academic > Literature > Authorship
- Academic > Literature > Poetry
- Language Arts & Disciplines > Linguistics
ISBNs
1441195394
9780826489821
9781441195395
