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Mei Lan-fang
The Life and Times of a Peking Actor
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Mei Lan-fang came from a famous actor family-the profession is often hereditary in China-and this story of his life is drawn mainly from his own reminiscences and from converstations with the author. He was a national figure whose name was a household word for more than forty years; even in Europe, Japan, Russia and America he was widely known and admired. He was instrumental in opening the eyes of men like Stanislavsky, Eisenstein and Brecht to new dimensions of theatrical expression.No other Chinese actor attained and retained the unique position held by Mei Lan-fang. In foreign eyes it is unique in another sense for Mei made his reputation playing the women's roles of the Chinese classical repertoire, somewhat in the tradition of the Elizabethan theatre in the West.
Hong Kong University Press; January 1959
164 pages; ISBN 9789882202238
Read online, or download in secure PDF format
164 pages; ISBN 9789882202238
Read online, or download in secure PDF format
Subject categories
- Academic > Literature > Drama > Special types > Special regions or countries
- Academic > Performing Arts > Theater > Comedy > General works
- Academic > Performing Arts > Theater > Comedy > Special topics
- Academic > Performing Arts > Theater > Tragedy > General works
- Academic > Performing Arts > Theater > Tragedy > History and criticism
- Academic > Performing Arts > Theater > Tragedy > Special topics A-Z
- Academic > Performing Arts > Theater > Historical Plays > General works
- Academic > Performing Arts > Theater > Historical Plays > Special topics A-Z
- Academic > Performing Arts > Theater > History > Comprehensive, American and English
- Academic > Performing Arts > Theater > History > Compends, outlines, etc.
- Academic > Performing Arts > Theater > History > Medieval, general works
- Academic > Performing Arts > Theater > History > Medieval miracle plays, mysteries,
- Academic > Performing Arts > Theater > History > Renaissance, general works
- Academic > Performing Arts > Theater > History > Renaissance, special topics
- Academic > Performing Arts > Theater > History > Modern, general works
- Academic > Performing Arts > Theater > History > Modern, special topics
- Academic > Performing Arts > Theater > History > 17th century
- Academic > Performing Arts > Theater > History > 18th century
- Academic > Performing Arts > Theater > History > 19th century
- Academic > Performing Arts > Theater > History > 20th century
- Academic > Performing Arts > Theater > Technique of dramatic composition > General works, American and English
- Academic > Performing Arts > Theater > Technique of dramatic composition > General works, German
- Academic > Performing Arts > Theater > Technique of dramatic composition > Tragic effect
- Academic > Performing Arts > Theater > Technique of dramatic composition > Irony
- Academic > Performing Arts > Theater > Technique of dramatic composition > Character treatment
- Academic > Performing Arts > Theater > Technique of dramatic composition > Play within a play
- Academic > Performing Arts > Special regions or countries > Asia
- Academic > Performing Arts > Special regions or countries > China
- Academic > Performing Arts > Theater > Study and Teaching
- Academic > Performing Arts > Theater > Criticism
- Academic > Performing Arts > Theater > Biography of Critics
- Academic > Literature > Periodicals
- Academic > Literature > Societies
- Social Science > Anthropology > Cultural
- Performing Arts > Film
ISBNs
9780856560026
9789882202238
9882202233