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About the author
W. S. Merwin has been awarded most of the principal prizes in American poetry, including the Pulitzer Prize, the Bollingen Prize, and the Tanning Prize for mastery in the art of poetry. He lives and works on Maui, where he maintains a garden of rare palm trees.
Now I shall sing the second kingdom,
there where the soul of man is cleansed,
made worthy to ascend to heaven.
In the second book of Dante’s epic poem The Divine Comedy, Dante has left hell and begins the ascent of the mount of purgatory. Just as hell had its circles, purgatory, situated at the threshold of heaven, has its terraces, each representing one of the seven mortal sins. With Virgil again as his guide, Dante climbs the mountain; the poet shows us, on its slopes, those whose lives were variously governed by pride, envy, wrath, sloth, avarice, gluttony, and lust. As he witnesses the penance required on each successive terrace, Dante often feels the smart of his own sins. His reward will be a walk through the garden of Eden, perhaps the most remarkable invention in the history of literature.
Now Jean Hollander, an accomplished poet, and Robert Hollander, a renowned scholar and master teacher, whose joint translation of the Inferno was acclaimed as a new standard in English, bring their respective gifts to Purgatorio in an arresting and clear verse translation. Featuring the original Italian text opposite the translation, their edition offers an extensive and accessible introduction as well as generous historical and interpretive commentaries that draw on centuries of scholarship and Robert Hollander’s own decades of teaching and reasearch.
Knopf Doubleday Publishing Group
; July 2012
656 pages; ISBN 9780385508315Read online
, or download in secure EPUB
Author: Dante; Robert Hollander; Jean Hollander
In the press
"In the years of my reading Dante, after the first overwhelming, reverberating spell of the Inferno, which I think never leaves one afterward, it was the Purgatorio that I had found myself returning to with a different, deepening attachment, until I reached a point when it was never far from me . . . Of the three sections of [The Divine Comedy], only Purgatory happens on the earth, as our lives do, with our feet on the ground, crossing a beach, climbing a mountain. All three parts of the poem are images of our lives, but there is an intimacy peculiar to the Purgatorio. Here the times of day recur with all the sensations and associations that the hours bring with them, the hours of the world we are living in as we read the poem." --from the Foreword