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	The Beat Generation: The Pocket Essential Guide By: Russell, Jamie Published By: Pocket Essentials ePub for Digital Editions Price: $5.99 PDF for Digital Editions Price: $5.99 Mobipocket Reader Price: $5.99 Microsoft Reader Price: $5.99 Available to read online in eb20 (what's this?) PDF for Digital EditionsePub for Digital EditionsMobipocket ReaderMicrosoft Reader	EBOOK OPTIONS ADD TO CART ADD TO WISHLIST TELL A FRIEND RECEIVE ALERTS
	In Search of the Beats: Were they angel-headed hipsters, dope smoking dropouts or the most exciting group of writers in postwar American literature? Their stories of drugs, sex and the search for an alternative to 'squaresville' have cornered the market in cult literature, remaining hip even while being taught on university courses and in schools. On the Road, Naked Lunch and Howl have become milestones of underground literature and the key Beats (Kerouac, Burroughs and Ginsberg) are mythic figures of contemporary pop culture. What's in it? An introductory essay examines the importance of the writers and their work in American culture. Separate chapters are devoted to the lives and work of Burroughs, Ginsberg and Kerouac. Later chapters discuss the other members of this movement (Neal Cassady, Herbert Huncke and many more), the Beats on film, and their influence on the counterculture of the 60s.

Excerpt

Never in the history of literature and literary movements has so much been owed to so few. Three men—Jack Kerouac, Allen Ginsberg and William S Burroughs—became the core of a literary and social phenomenon that (to borrow Burroughs’ comments about Kerouac’s most famous novel) ‘sold a trillion pairs of Levis and a million espresso coffee machines, and also sent countless kids on the road.’ The Beat phenomenon transformed American society. Not only was it the first expression of what we would now dub youth culture—paving the way for the hippies, punks, grungers and ravers as well as a thousand and one other styles—but it was also the first moment in Western culture when literature, music and film became cool. In other words, it was totally opposed to the boring adult world of work, money and responsibility. These days the Beats are part of the establishment. Kerouac, Burroughs and Ginsberg can be found on all kinds of college and school reading lists. (There’s a great photo of American military cadets sitting in class reading Ginsberg’s ‘Howl’—how the world changes!) What’s more, the Beats are big bucks. Reprints of their books, academic critiques, T-shirts, CD recordings and posters are everywhere. The principal characters in the Beat saga (all of them now dead and buried) have become mythical figures whose continuing status as visionaries, rebels and hipsters guarantee their various estates a regular (and very large) income. Yet in spite of this acceptance into the mainstream, the Beats are still considered cool. What makes the Beat phenomenon unique is the way in which it has remained so popular with each successive generation of young rebels. While 1960s acid culture has generally been disowned and mocked, the Beats and the literature that they spawned remain as much a symbol of youthful rebellion today as they were back in 1957. Reading On The Road, ‘Howl’ or Naked Lunch has become a rite of passage. It doesn’t seem to matter that these books were written almost half a century ago, they’ve still got what it takes, Daddy-O. Perhaps this isn’t all that surprising. Back in the 1950s, the Beats were obsessed with exploding society’s taboos, from drugs to sex to censorship. At the dawn of this new millennium these issues still seem as relevant today as they did back then. Things may have changed since 1950, but we still seem a long, long way from the kind of open, inclusive society that the Beats dreamt of. Drugs are still demonised, homosexuality is still frowned upon, hetero sex is only permitted if it’s selling something and the censor still guards us like an overbearing nanny. The Beats are still as relevant today as they were fifty years ago. After all, why else do the American broadcasting authorities still ban readings of ‘Howl’ on the radio before midnight?

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