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Arabeske of Gedachte
Amsterdam University Press 2007; US$ 42.40Heeft instrumentale muziek een betekenis? Moet men zich bij programmamuziek tijdens het luisteren rekenschap geven van het programma?. Is vocale muziek waarin muziek en tekst samengaan superieur aan de abstracte klank, nog des te meer wanneer vergezeld door een toneelmatig gebeuren?. Van deze soms felle discussie tussen Nederlandse schrijvers in de... more...
Toneurythmie im Lichte der Musikwissenschaft
Diplomica Verlag 2008; US$ 46.37Das Buch "Toneurythmie im Lichte der Musikwissenschaft" beschäftigt sich mit dem Phänomen der Toneurythmie aus musiksemiotischer Sicht. In der Einleitung wird auf das Verhältnis der Wissenschaft zur Kunst der Eurythmie eingegangen mit der Feststellung, dass es bislang kaum wissenschaftliche Auseinandersetzungen mit dieser Körperbewegungskunst gab.... more...
Music and Text
Cambridge University Press 1992; US$ 60.00This book demonstrates how musical and literary scholarship can combine forces effectively on the common ground of contemporary literary theory and interpretive practice. more...
Musikrezeption, Musikdistribution und Musikproduktion
Springer Fachmedien 2009; US$ 54.99
Die Macht der Filmmusik
Tectum Verlag 2011; US$ 21.56Hauptbeschreibung Filme haben oft eine enorme emotionale Kraft auf ihre Zuschauer. Doch wie gelingt es Filmemachern die Gefühle der Zuschauer anzuregen oder in eine bestimmte Richtung zu lenken? Oft ist es das komplexe Zusammenspiel von Bild, Filmmusik und Schnitt, welches ein intensives Filmerlebnis kreiert. Wie verbinden sich musikalische und filmische... more...
Vom Musikalisch-Schönen
WBG - Wissenschaftliche Buchgesellschaft 2012; US$ 21.56Hauptbeschreibung Eine der schillernden Gestalten des Musiklebens des 19. Jh. war der Musikkritiker Eduard Hanslick, der im Jahr 1854 "Vom Musikalisch-Schönen" veröffentlichte. Hanslick, ein großer Brahms-Befürworter, sah das musikalische Erbe Mozarts und Beethovens durch die Strömungen der neudeutschen Schule um den Komponisten Franz Liszt gefährdet... more...
The Discourse of Musicology
Ashgate Publishing Ltd 2007; US$ 99.95In The Discourse of Musicology, Giles Hooper considers a number of issues central to recent debates about the nature and direction of contemporary musicology. The author's underlying aim throughout is to question whether, and how, it is possible to develop a mode of musicological enquiry that is both epistemologically robust and at the same time... more...
Platonism, Music and the Listener's Share
Continuum International Publishing 2006; US$ 130.00What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-changing socio-cultural or ideological contexts that make... more...
Mystical Love in the German Baroque
Scarecrow Press 2008; US$ 79.99This book identifies the cultural and devotional conventions underlying expressions of mystical love in poetry and music of the German baroque. It sheds new light on the seemingly erotic overtones in settings of the Song of Songs and dialogues between Christ and the faithful soul in late 17th- and early 18th-century cantatas by SchYtz, Buxtehude, and... more...
Art as Music, Music as Poetry, Poetry as Art, from Whistler to Stravinsky and Beyond
Ashgate Publishing Ltd 2011; US$ 99.95An extraordinary fraternity of poets, painters and composers in Paris, between 1885 and 1945, built our modern notion of ‘great art’ on the principle that we must always think about the value of a work of art, not within the logic of its own medium, but as if it transposed the value of another medium. Peter Dayan chronicles the rise of this... more...
