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  • Why Classical Music Still Mattersby Lawrence Kramer

    University of California Press 2007; US$ 19.96

    ?What can be done about the state of classical music?? Lawrence Kramer asks in this elegant, sharply observed, and beautifully written extended essay. Classical music, whose demise has been predicted for at least a decade, has always had its staunch advocates, but in today?s media-saturated world there are real concerns about its viability. Why Classical Music Still Matters takes a forthright approach by engaging both skeptics and music lovers alike. In seven highly original chapters, Why Classical Music Still Matters affirms the value of classical music?defined as a body of nontheatrical music produced since the eighteenth century with the single aim of being listened to?by revealing what its values are: the specific beliefs, attitudes,... more...

  • Sound Ideasby Aden Evens

    University of Minnesota Press 2005; US$ 70.50

    Aden Evens provides an acute consideration of how music becomes sensible, advancing original variations on the themes of creativity and habit, analog and digital technologies, and improvisation and repetition. Sound Ideas reinvents the philosophy of music in a way that encompasses traditional aspects of musicology, avant-garde explorations of music's relation to noise and silence, and the consequences of digitization. more...

  • Developing Variationsby Rose Rosengard Subotnik

    University of Minnesota Press 1987; US$ 90.00

    Combines into a cohesive statement the author’s pathbreaking critical essays on Western music. more...

  • Music, Philosophy, and Modernityby Andrew Bowie

    Cambridge University Press 2007; US$ 38.00

    Andrew Bowie uses music to question many current ideas about language, meaning and philosophy. more...

  • Poetry and the Romantic Musical Aestheticby James H. Donelan

    Cambridge University Press 2008; US$ 30.00

    Considers the idea of self-consciousness in the work of Hölderlin, Hegel, Wordsworth, and Beethoven. more...

  • The Musical Workby Michael Talbot

    Liverpool University Press 2000; US$ 70.00

    Like literature and art, music has ‘works’. But not every piece of music is called a work, and not every musical performance is made up of works. The complexities of this situation are explored in these essays, which examine a broad swathe of western music. From plainsong to the symphony, from Duke Ellington to the Beatles, this is at root an investigation into how our minds parcel up the music that we create and hear. more...

  • Philosophers on Musicby Kathleen Stock

    Oxford University Press, UK 2007; US$ 85.00

    Philosophers on Music: Experience, Meaning, and Work presents significant new contributions to central issues in the philosophy of music, written by leading philosophers working in the analytic tradition. The issues tackled include: the question of what sort of thing a work of music is; the nature of the relation between a musical work and versions of it; the nature of musical expression and its contribution to musical experience; the relation of music to. metaphor; the nature of musical irony; the musical status of electro-sonic art; and the nature of musical rhythm. Aestheticians, musicologists, music practitioners, and those interested in philosophy generally will find the papers in this volume rewarding reading. - ;Philosophers on Music:... more...

  • Themes in the Philosophy of Musicby Stephen Davies

    Oxford University Press, UK 2005; US$ 60.00

    Is music a language of the emotions? How do recorded pop songs differ from works created for live performance? Is John Cage's silent piece, 4'33", music? Stephen Davies's new book collects some of his most important papers on central topics in the philosophy of music. As well as perennial questions, Davies addresses contemporary controversies, including the impact of modern technology on the presentation and reception of both new and old musical works. These essays, two of. them new and previously unpublished, are self-standing but thematically connected, and will be of great interest to philosophers, aestheticians, and to theorists of music and art. - ;Representing Stephen Davies's best shorter writings, these essays outline... more...

  • Music, Language, and Cognitionby Peter Kivy

    Oxford University Press, UK 2007; US$ 50.00

    Music, Language, and Cognition is the third collection of Peter Kivy's seminal papers in the philosophy of music. In essays which span his earliest work in the field and his more recent contributions to journals, anthologies, and conference proceedings, Kivy considers the origin of music, the medium of expression in opera, the role of music in film, the nature of an 'ideal' performance, and the question of whether absolute music has a meaning, among other issues. Rich with. critical analysis and informed by the history of both philosophy and music, this volume will be of interest to anyone who likes not only to listen to music, but to think about it as well. - ;Music, Language, and Cognition is the third collection of Peter Kivy's... more...

  • Who Needs Classical Music?by Julian Johnson

    Oxford University Press, USA 2002; US$ 30.00

    Introduction 1. Musical Values 2. Uses and Abuses 3. Music as Art 4. Understanding Music 5. The Old, the New, and the Contemporary 6. Cultural Choices Bibliography Index more...