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Prestige, Authority and Power in Late Medieval Manuscripts and Textsby Felicity Riddy
Boydell & Brewer 2000; US$ 95.00Prestige, authority and power: what is the significance of these three terms for the study of late-medieval manuscripts and texts? This collection of essays, by leading scholars from Britain and North America, answers this question in various ways: by discussing manuscripts as prestigious de luxe objects; by showing how the layout of texts was used to confer different kinds of authority; and by locating manuscripts and texts more dynamically in what Foucault calls `power's net-like organisation'. more...
An Introduction To Book Historyby David Finkelstein
Taylor & Francis 2005; US$ 39.95This is a comprehensive introduction to books and print culture which examines the move from the spoken word to written texts, the book as commodity, the power and profile of readers, and the future of the book in an electronic age. more...
The Bibliomania or Book-Madnessby Thomas Frognall Dibdin; Peter Danckwerts
Tiger of the Stripe 2006; US$ 16.00A feast for the book collector: What cutting words did Edward Gibbon write about Thomas Hearne? Why should we not be surprised to find a book on American history by a Spanish admiral in the library of the President of the Royal Society? Who was Captain Cox who ?could talk as much without book, as any Innholder betwixt Brentford and Bagshot?? Was Polydore Vergil a plagiarist and John Bagford a biblioclast? What is Bloterature? more...
Scouts in Bondageby Michael Bell
Simon & Schuster 2007; US$ 11.99Step inside Michael Bell's antiquarian bookshop, stocked with rare and fine collectibles of infinite variety, from Book of Blank Maps , With Instructions , to Autobiography of the Best Abused Man in the World . By perusing these curious works from bygone times, inquiring readers will be rewarded with instruction on such rarely understood pursuits as Single-Handed Cruising and Girls' Interests . A treasure trove of the best of bookmaking, here is a library of laughs. more...
A Dictionary of English Manuscript Terminologyby Peter Beal
Oxford University Press, UK 2007; US$ 125.00In the first dictionary of its kind a leading expert on English manuscripts defines some 1,500 terms, including types of manuscript, their physical features, writing implements, writing surfaces, scribes, scripts, postal markings, and seals, as well as those relating to literature, bibliography, editing, dating, conservation, cartography, commerce, heraldry, law, and military and naval matters. - ;This is the first Dictionary of English Manuscript Terminology ever to be published. Dealing with the subject of documentation - which affects everyone's lives (from every-day letters, notes, and shopping lists to far-reaching legal instruments, if not autograph literary masterpieces) - Peter Beal defines, in a lively and accessible style, some... more...
Crimes of Writingby Susan Stewart
Oxford University Press, USA 1991; US$ 135.00From the origins of modern copyright in early eighteenth-century culture to the efforts to represent nature and death in postmodern fiction, this pioneering book explores a series of problems regarding the containment of representation. Stewart focuses on specific cases of "crimes of writing"--the forgeries of George Psalmanazar, the production of "fakelore," the "ballad scandals" of the eighteenth and nineteenth centuries, the imposture of Thomas Chatterton, and contemporary legislation regarding graffiti and pornography. In this way, she emphasizes the issues which arise once language is seen as a matter of property and authorship is viewed as a matter of originality. Finally, Stewart demonstrates that crimes... more...
Burning Booksby M. Fishburn
Palgrave Macmillan Ltd. 2008; US$ 40.00This provocative new work examines the years between the Nazi book fires and the publication of Ray Bradbury’s Fahrenheit 451 (1953), a period when book burning captured the popular imagination. It explores how embedded the myths of book burning have become in our cultural history, and illustrates the enduring appeal of a great cleansing bonfire. more...
The Man Who Loved Books Too Muchby Allison Hoover Bartlett
Penguin Group Inc. 2009; US$ 12.99Unrepentant book thief John Charles Gilkey has stolen a fortune in rare books from around the country. Yet unlike most thieves who steal for profit, Gilkey steals for love-the love of books. Perhaps equally obsessive is Ken Sanders, the self-appointed "bibliodick" who's driven to catch him. Following this eccentric cat-and-mouse chase with a mixture of suspense, insight and humor, Allison Hoover Bartlett plunges the reader deep into a rich world of fanatical book lust and considers what it is that makes some people stop at nothing to posses the titles they love. more...
A Guide to Early Printed Books and Manuscriptsby Mark Bland
John Wiley & Sons, Ltd. 2010; US$ 110.95A Guide to Early Printed Books and Manuscripts provides an introduction to the language and concepts employed in bibliographical studies and textual scholarship as they pertain to early modern manuscripts and printed texts Winner, Honourable Mention for Literature, Language and Linguistics, American Publishers Prose Awards, 2010 Based almost exclusively on new primary research Explains the complex process of viewing documents as artefacts, showing readers how to describe documents properly and how to read their physical properties Demonstrates how to use the information gleaned as a tool for studying the transmission of literary documents Makes clear why such matters are important and the purposes to which such information is... more...
The Author's Dueby Joseph Loewenstein
University of Chicago Press 2010; US$ 46.00The Author's Due offers an institutional and cultural history of books, the book trade, and the bibliographic ego. Joseph Loewenstein traces the emergence of possessive authorship from the establishment of a printing industry in England to the passage of the 1710 Statute of Anne, which provided the legal underpinnings for modern copyright. Along the way he demonstrates that the culture of books, including the idea of the author, is intimately tied to the practical trade of publishing those books. As Loewenstein shows, copyright is a form of monopoly that developed alongside a range of related protections such as commercial trusts, manufacturing patents, and censorship, and cannot be understood apart from them. The regulation of the press... more...
