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Issues in Curating Contemporary Art and Performanceby Judith Rugg; Michèle Sedgwick
Intellect 2007; US$ 10.00Explores developments in electronic art, art/science collaboration, nongallery spaces, and 'virtual' fields. This volume examines issues surrounding the curation of art and performance exhibitions. It covers original theories and expanded concepts of curating contemporary art. more...
Philosophy of Artby Noë Carroll; l
Routledge 1999; US$ 36.95Philosophy of Art is a textbook for undergraduate students interested in the topic of philosophical aesthetics, introducing the techniques of analytic philosophy in addition to a selection of the major topics in this area. more...
Reality Hungerby David Shields
Knopf Doubleday Publishing Group 2010; US$ 11.99With this landmark book, David Shields fast-forwards the discussion of the central artistic issues of our time. Who owns ideas? How clear is the distinction between fiction and nonfiction? Has the velocity of digital culture rendered traditional modes obsolete? Exploring these and related questions, Shields orchestrates a chorus of voices, past and present, to reframe debates about the veracity of memoir and the relevance of the novel. He argues that our culture is obsessed with “reality,” precisely because we experience hardly any, and urgently calls for new forms that embody and convey the fractured nature of contemporary experience. From the Trade Paperback edition. more...
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The Concept of Criticismby Francis Sparshott
Cybereditions 2000; US$ 12.95In The Concept of Criticism , Sparshott gives an elegant account of his view that the idea of performance is central to the place of criticism in the life of the arts. Applied to the arts in general, performance retains the notion that art is characterized by intentionality without applying to it the kinds of strictures we would apply to the products and doings of ordinary moral agents. Applied to criticism, performance best identifies the manner in which the critic gives grounds for the evaluation of a work of art, without necessarily directly evaluating it. Criticism, in short, is one performance about another performance. more...
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The Silk Weavers of Kyotoby Tamara K. Hareven
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