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Elements of Classical Ballet Techniqueby Karel Shook
Princeton Book Company 2004; US$ 9.95Elements of Classical Ballet Technique as Practiced in the School for the Dance Theatre of Harlem champions the rich heritage of American dance from Fanny Elssler's triumphs to the square dances of the pioneers and on to the Dance Theatre of Harlem. Originally published in 1977, the text serves as a theoretical and practical outline of Shook's teaching philosophies. The book is divided into three parts: The Antecedents; The Theory; The Practice. In The Antecedents, Shook respectively discusses the tradition of a dance teacher, the American attitude, classical ballet and the development of Dance Theatre of Harlem. The Theory and The Practice are divulgences into Shook's philosophies on teaching, supplemented by a syllabus for the elementary... more...
Europe Dancingby Andree Grau; Stephanie Jordan
Routledge 2000; US$ 39.95Europe Dancing examines the dance cultures and movements which have developed in Europe since the Second World War. Nine countries are represented in this unique collaboration between European dance scholars. more...
Pre-Classic Dance Formsby Louis Horst
Princeton Book Company 2004; US$ 10.95Pre-Classic Dance Forms supplies its readers with complete historical descriptions of 16th and 17th century dances. For the student of music and dance, Horst offers a brief, readable introduction to this important era of dancing and its customs and styles and shows how the early dances influenced the growth of modern dance in this century. Through examining the past and applying it to his times, Horst gives modern dancers new ways to study movement. As Janet Soares remarks in the Foreword to Horst's text, "By returning to a time when court composers wrote specifically for dance, Horst felt that a renewed independence could emerge with dance taking a predominant position." A well-respected text when originally published in 1937, Pre-Classic... more...
Dance and authenticity in Israel and Palestineby E. Kaschl
BRILL 2003; US$ 188.00In this ethnographic study, Kaschl examines the history of two related and competing Palestinian and Israeli folk dance forms. The focus is on how these forms known as dabkeh and debkah , respectively represent a contested cultural essence of both Palestinian and Israeli nationalism. The performances of three dance troupes (one Israeli and two Pale more...
Gesture, Gender, Nationby Mary Masayo Doi
Greenwood Publishing Group 2001; US$ 107.00The national dancers in Uzbekistan are almost always female. This work argues that dancers, as symbolic "girls" or unmarried females in the Uzbek kinship system, are effective mediators between extended kin groups, and the Uzbek nation-state. more...
The Taxi-Dance Hallby Paul Goalby Cressey
University of Chicago Press 2008; US$ 30.00First published in 1932, The Taxi-Dance Hall is Paul Goalby Cressey’s fascinating study of Chicago’s urban nightlife—as seen through the eyes of the patrons, owners, and dancers-for-hire who frequented the city’s notoriously seedy “taxi-dance” halls. Taxi-dance halls, as the introduction notes, were social centers where men could come and pay to dance with “a bevy of pretty, vivacious, and often mercenary” women. Ten cents per dance was the usual fee, with half the proceeds going to the dancer and the other half to the owner of the taxi-hall. Cressey’s study includes detailed maps of the taxi-dance districts, illuminating interviews with dancers, patrons, and owners, and vivid analyses... more...
The Early Stuart Masqueby Barbara Ravelhofer
Oxford University Press, UK 2006; US$ 55.00The Early Stuart Masque studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. It will be a valuable resource for all who are interested in English drama, dance, and music of the early modern period, including scholars and students within English literature, as well as modern artists, directors, and producers. - ;The Early Stuart Masque: Dance, Costume, and Music studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. Drawing on a massive amount of documentary evidence relating to English productions as well as spectacle in France, Italy, Germany, and the Ottoman... more...
Creolizing Contradance in the Caribbeanby Peter Manuel
Temple University Press 2009; US$ 71.50The contradance and quadrille, in their diverse forms, were the most popular, widespread, and important genres of creole Caribbean music and dance in the nineteenth century. Throughout the region they constituted sites for interaction of musicians and musical elements of different racial, social, and ethnic origins, and they became crucibles for the evolution of genres like the Cuban danzón and son, the Dominican merengue, and the Haitian mereng. Creolizing Contradance in the Caribbean is the first book to explore this phenomenon in detail and with a pan-regional perspective. Individual chapters by respected area experts discuss the Spanish, French, and English-speaking Caribbean, covering musical and choreographic... more...
Satan in the Dance Hallby Ralph Giordano
Rowman & Littlefield Publishing Group, Inc. 2008; US$ 59.99Satan in the Dance Hall explores the overwhelming popularity of social dancing and its close relationship to America's rapidly changing society in the 1920s. The book focuses on the fiercely contested debate over the morality of social dancing in New York City, led by moral reformers and religious leaders like Rev. John Roach Straton. Fed by the firm belief that dancing was the leading cause of immorality in New York, Straton and his followers succeeded in enacting municipal regulations on social dancing and moral conduct within the more than 750 public dance halls in New York City. Ralph G. Giordano conveys an easy to read and full picture of life in the Jazz Age, incorporating important events and personalities such as the Flu Epidemic,... more...