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Rogues in the Galleryby Hugh McLeave
Boson Books 2003; US$ 9.95Rogues in the Gallery exposes it all: the cozy insurance ransom racket, the professional gangs of art thieves, the specialists, the connections with the international drug racket and the Mafia. Hugh McLeave has researched the whys and wherefores of the question for years, drawing on resources available to him through agencies such as Interpol, the FBI, the French Sūreté, and Scotland Yard. Rogues in the Gallery is a lively and informed account of the causes?and limited cures?of this epidemic. It charts the classic outbreaks, portrays the rich gallery of protagonists, and defines what means there are to combat the disease. But even with sophisticated computers and Interpol, the total elimination of art theft is unlikely. As long as auction prices... more...
Art Space and the Cityby Malcolm Miles
Routledge 1997; US$ 71.95This book examines public art outside the normal confines of art criticism and places it within broader contexts of public space and gender by exploring both the aesthetic and political aspects of the medium. more...
Art and the Stateby Victoria D. Alexander; Marilyn Rueschemeyer
Palgrave Macmillan Ltd. 2005; US$ 95.00This book examines the impact of states and their policies on visual art. States shape the role of art and artists in society, influence the development of audiences, support artistic work, and even affect the very nature of artistic production. The book contrasts developments in the United States with art policies in Britain and in the social democratic states of Norway and Sweden. In addition, it analyzes revealing transitions - the changes brought about in East Germany after unification and the experiences of artists who left the Soviet Union for the west. The result is a significant contribution to the sociology and the political economy of art. more...
Locality, Regeneration & Divers[c]itiesby Sarah Bennett; John Butler
Intellect 2000; US$ 10.00As British cities lose the cultural connections with their industrial past, many seek to build new postindustrial futures through urban regeneration. Art projects play a key role in policymaking that aims to regenerate neglected neighbourhoods. This study focuses particularly on the ways in which newlydeveloped cultural institutions tend to be flagships for regeneration the Tate Modern in Southwark is one such example. more...
Cultures and Settlementsby Malcolm Miles; Nicola Kirkham
Intellect 2003; US$ 10.00This volume considers the making of settlement as a process of identity formation. Taking the position that a culture signifies a way of life, it asks how cultural frameworks inform patterns of settlement, and how the built environment, as process and design, conditions cultural production and reception. The disciplinary fields this intersects include architecture, urban design, sociology, cultural and human geography, cultural studies and critical theory. Contributors work in a range of such fields, in Europe and Latin America. more...
Art Education in a Postmodern Worldby Tom Hardy
Intellect 2006; US$ 10.00Many of the essays pinpoint the stagnancy of teaching methods today and discuss the reductive parameters enforced by the current curriculum. The radical tone that echoes through the entire series of papers is unmistakable. Throughout the book, postmodern theory informs the polemical debate concerning new directions in educative practice. Contributors shed new light on a postmodern view of art in education with emphasis upon difference, plurality and independence of mind. Ultimately, the paper provides a detailed insight into the various concepts that shape and drive the contemporary art world and expands the debate regarding the impression of postmodern thinking in art education. more...
Fakebusters Iiby Richard J Weiss; Duane Chartier
World Scientific 2004; US$ 51.00Now that the sale of a Picasso painting has exceeded US$100 million at auction, the forgers are extricating their bag of tricks. This fascinating collection of papers provides an eclectic coverage of the art and philatelic concerns in safeguarding the integrity of creative artists. It paints a broader swath of the problems in art authentication, including philatelic fraud. The articles represent 24 expert contributions on relevant topics pertaining to the scientific detection of forgery in art and philately. more...
The Practice of Public Artby Cameron Cartiere; Shelly Willis
Taylor & Francis 2008; US$ 39.95Wide-ranging and timely, The Practice of Public Art brings together practicing artists, curators, activists, art writers, administrators, city planners, and educators from the United Kingdom and United States to offer differing perspectives on the many facets of the public art process. The Practice of Public Art examines the continual evolution of public art, from monuments and memorials to socially engaged public art practice. Topics include constructing new models for developing and commissioning public art works, understanding the challenges of public art vs. public design, and unraveling the relationships between public artists and the communities they serve. The Practice of Public Art offers a diverse perspective on the complex nature... more...
The Gardner Heistby Ulrich Boser
HarperCollins 2009; US$ 10.99Shortly after midnight on March 18, 1990, two men broke into the Isabella Stewart Gardner Museum in Boston and committed the largest art heist in history. They stole a dozen masterpieces, including one Vermeer, three Rembrandts, and five Degas. But after thousands of leads—and a $5 million reward—none of the paintings have been recovered. Worth as much as $500 million, the missing masterpieces have become one of the nation's most extraordinary unsolved mysteries. After the death of famed art detective Harold Smith, reporter Ulrich Boser decided to take up the case. Exploring Smith's unfinished leads, Boser travels deep into the art underworld and comes across a remarkable cast of characters, including a brilliant rock 'n' roll... more...
Fall-Out Shelters for the Human Spiritby Michael L. Krenn
The University of North Carolina Press 2005; US$ 45.00A look at the successes, failures and controversies that arose when the US government and US art world sought to unite to make an international art program a reality between the 1940s and 1970s. It questions the cultural dimensions of US postwar diplomacy and asks how elements of the Cold War led to a redefinition of what is, and isn't, 'American'. more...
