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Most popular at the top

  • Music in Ancient Greece and Romeby John Landels

    Routledge 1998; US$ 40.95

    Music in Ancient Greece and Rome presents a comprehensive introduction to the study of music from Homeric times to the Roman emperor Trahan, presented in concise and user-friendly chapters, with suggestions for further reading. more...

  • A Schnittke Readerby Alfred Schnittke; Alexander Ivashkin

    Indiana University Press 2002; US$ 19.95

    This compilation assembles previously published and unpublished essays by Schnittke and supplements them with an interview with cellist and scholar Alexander Ivashkin. The book is illustrated with musical examples, many of them in Schnittke's own hand. In A Schnittke Reader, the composer speaks of his life, his works, other composers, performers, and a broad range of topics in 20th-century music. The volume is rounded out with reflections by some of Schnittke's contemporaries. more...

  • Operatic Stateby Ruth Bereson

    Routledge 2002; US$ 120.00

    Bereson investigates the elite and privileged status of the closed-world of opera, and the way states have financed and supported it since its beginnings. more...

  • Operettaby Richard Traubner

    Routledge 2003; US$ 44.95

    Considered the classic history of this important musical theater form. Traubner's book, first published in 1983, is still recognized as the key history of the people and productions that made operetta a worldwide phenomenon. more...

  • Early Musical Borrowingby Honey Meconi

    Routledge 2004; US$ 105.00

    This collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music. more...

  • Opera and Drama in Eighteenth-Century Londonby Ian Woodfield; Arthur Groos

    Cambridge University Press 2001; US$ 62.00

    This book explores the cultural life of Italian opera in late eighteenth-century London. Through primary sources, many analysed for the first time, Ian Woodfield examines such issues as finances, recruitment policy, handling of singers and composers, links with Paris and Italy, and the role of women in opera management. more...

  • The Cambridge History of Nineteenth-Century Musicby Jim Samson

    Cambridge University Press 2001; US$ 177.00

    The most informed reference book on nineteenth-century music currently available. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and languages at the turn of the century. more...

  • Palestrina and the German Romantic Imaginationby James Garratt; John Butt; Laurence Dreyfus

    Cambridge University Press 2002; US$ 34.00

    James Garratt explores the revival of sixteenth-century music in nineteenth-century Germany, focusing on the reception of Palestrina by critics, historians, performers and composers. Of relevance to scholars, students and devotees of nineteenth-century music, and those interested in nineteenth-century culture, art, architecture, literature and aesthetics, and the early music revival. more...

  • Mimomaniaby Mary Ann Smart

    University of California Press 2004; US$ 26.95

    When Nietzsche dubbed Richard Wagner "the most enthusiastic mimomaniac" ever to exist, he was objecting to a hollowness he felt in the music, a crowding out of any true dramatic impulse by extravagant poses and constant nervous movements. Mary Ann Smart suspects that Nietzsche may have seen and heard more than he realized. In Mimomania she takes his accusation as an invitation to listen to Wagner's music?and that of several of his near-contemporaries?for the way it serves to intensify the visible and the enacted. As Smart demonstrates, this productive fusion of music and movement often arises when music forsakes the autonomy so prized by the Romantics to function mimetically, underlining the sighs of a Bellini heroine, for instance, or the... more...

  • Music Drama at the Paris Odéon, 1824?1828by Mark Everist

    University of California Press 2002; US$ 60.00

    Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odéon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odéon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts... more...