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Most popular at the top

  • Mind Modelsby Roger Reynolds

    Taylor and Francis 2013; US$ 25.95

    This new edition of Mind Models reintroduces and renews a classic work on 20th century composition, one that has remained relevant for over a quarter century -- and should remain a central reading for decades to come. more...

  • A Schnittke Readerby Alfred Schnittke; Alexander Ivashkin

    Indiana University Press 2002; US$ 19.95

    This compilation assembles previously published and unpublished essays by Schnittke and supplements them with an interview with cellist and scholar Alexander Ivashkin. The book is illustrated with musical examples, many of them in Schnittke's own hand. In A Schnittke Reader, the composer speaks of his... more...

  • Operatic Stateby Ruth Bereson

    Taylor and Francis 2013; US$ 128.00

    The Operatic State examines the cultural, financial, and political investments that have gone into the maintenance of opera and opera houses in Europe, the USA and Australia. It analyses opera's nearly immutable form throughout wars, revolutions, and vast social changes throughout the world. Bereson argues that by legitimising the power of the state... more...

  • Operettaby Richard Traubner

    Taylor and Francis 2003; US$ 45.95

    "Operetta: A Theatrical History" is considered the classic history of this important musical theater form. Traubner's book, first published in 1983, is still recognized as the key history of the people and productions that made operetta a worldwide phenomenon. Beginning in mid-19th century Europe, the book covers all of the key developments in the... more...

  • Early Musical Borrowingby Honey Meconi

    Taylor and Francis 2003; US$ 105.00

    This collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music. more...

  • Opera and Drama in Eighteenth-Century Londonby Ian Woodfield; Arthur Groos

    Cambridge University Press 2001; US$ 64.00

    This book explores the cultural life of Italian opera in late eighteenth-century London. Through primary sources, many analysed for the first time, Ian Woodfield examines such issues as finances, recruitment policy, handling of singers and composers, links with Paris and Italy, and the role of women in opera management. more...

  • Music in Other Wordsby Ruth A. Solie

    University of California Press 2004; US$ 55.00

    Just as the preoccupations of any given cultural moment make their way into the language of music, the experience of music makes its way into other arenas of life. To unearth these overlapping meanings and vocabularies from the Victorian era, Ruth A. Solie examines sources as disparate as journalism, novels, etiquette manuals, religious tracts, and... more...

  • A History of Opera: Milestones and Metamorphosesby Burton D. Fisher

    Opera Journeys Publishing 2003; US$ 49.95

    A comprehensive history of opera that traces each milestone in opera history from the 16th century Camerata through the next 400 years, and featurrd in depth analysis of all important genres: the Baroque, Classical, and Romantic eras, Bel Canto, Opera Buffa, German Romanticism, Wagner and music drama, Verismo, Impressionism, Expressionism, Serialism,... more...

  • Mimomaniaby Mary Ann Smart

    University of California Press 2004; US$ 29.95

    When Nietzsche dubbed Richard Wagner "the most enthusiastic mimomaniac" ever to exist, he was objecting to a hollowness he felt in the music, a crowding out of any true dramatic impulse by extravagant poses and constant nervous movements. Mary Ann Smart suspects that Nietzsche may have seen and heard more than he realized. In Mimomania she takes... more...

  • Russian Opera and the Symbolist Movement by Simon Alexander Morrison

    University of California Press 2002; US$ 15.95

    An aesthetic, historical, and theoretical study of four scores, Russian Opera and the Symbolist Movement is a groundbreaking and imaginative treatment of the important yet neglected topic of Russian opera in the Silver Age. Spanning the gap between the supernatural Russian music of the nineteenth century and the compositions of Prokofiev and Stravinsky,... more...