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Most popular at the top
- Oxford University Press 2000; US$ 44.99
This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses... more...
- Oxford University Press 1988; US$ 164.99
This is the second of three volumes designed, in the author's words, to tell 'the story of America's popular songs, the people who wrote them, and the business they created and sustained'. more...
- Oxford University Press 1988; US$ 174.99
This is the last of three volumes designed, in the author's words, to tell 'the story of America's popular songs, the people who wrote them, and the business they created and sustained'. more...
- Oxford University Press 1995; US$ 19.95
Charts the development of jazz in Chicago before, during and after World War I. In addition to detailing the technical aspects of the jazz form that evolved during this time, the author describes the social and political ramifications of early urban jazz. more...
- Oxford University Press 2006; US$ 34.99
Examines the uneasy alliance of two confessions, Lutheran and Catholic, at the prominent seventeenth-century court of Dresden, and the implications of this alliance for the repertoire of sacred art music cultivated there, an influential repertoire that has received only scant attention from scholars. more...
- Oxford University Press 1998; US$ 124.99
This work argues that French musical meanings and values in the years from 1898 to 1914 are best explained not in terms of artistic movements, but rather of the political culture, which was undergoing subtle but profound transformation as nationalist leagues enlarged the arena of political action. more...
- Oxford University Press 1994; US$ 19.95
An anecdotal autobiography of Bill Crow's career in jazz, from his arrival in New York City in the 1950s to his professional life as a jazz bassist, playing with the likes of Benny Goodman, Gerry Mulligan, Charlie Parker, Dizzy Gillespie and Marian McPartland. more...
- Oxford University Press 1999; US$ 49.99
Under a totalitarian regime, can art and artists be innocent? This questions and its implications are explored in Michael Kater's broad survey of musicians, and the music they composed and performed during the Third Reich. more...
- Oxford University Press 1997; US$ 48.00
Presenting a guided tour of topically arranged popular songs, the author of this text views the mores and values of 19th-century Americans as seen therein. He points out important landmarks and lesser sights providing colour and context. more...
- Oxford University Press 2005; US$ 26.99
Presenting a study of the French early music revival, this book gives us a sense of how music's cultural meanings were contested in the nineteenth century. It surveys the main patterns of revivalist activity while also providing studies of repertories stretching from Adam de la Halle to Rameau. more...