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Composition and performance

Most popular at the top

  • Aaron Copland: a Guide to Researchby Marta Robertson

    Garland Science 2001; US$ 105.00

    The most popular and well-known composer of American art music. A portrait of the composer, discussion of research trends and suggestions for further research are all included here. more...

  • Beethoven: The Moonlight and other Sonatas, Op. 27 and Op. 31by Timothy Jones; Julian Rushton

    Cambridge University Press 1999; US$ 24.00

    This is a comprehensive introduction to Beethoven's most popular piano sonata, together with the four other sonatas in Opp. 27 and 31. Aimed at pianists, students and music-lovers, it gives an account of the sonatas' historical background, their changing performance styles, and offers an accessible critical introduction to the music. more...

  • Russians on Russian Music, 1880-1917by Stuart Campbell

    Cambridge University Press 2003; US$ 50.00

    This second anthology of Russian music criticism brings for the first time to an English-speaking readership the reactions of leading critics to new Russian music in the period 1880-1917. These years found Tchaikovsky, Rimsky-Korsakov and Borodin in their prime, and saw several new generations emerge. more...

  • Musical Performanceby John Rink

    Cambridge University Press 2002; US$ 27.00

    From performance history to the essentials of practice and memorisation, from performance anxiety to the art of listening and criticism, this accessible guide for students, teachers and performers at all levels unravels the complexities of musical performance, focusing on key aspects of learning, playing and responding to music. more...

  • The Historical Performance of Musicby Colin Lawson; Robin Stowell

    Cambridge University Press 1999; US$ 27.00

    This volume offers an overview of historical performance, surveying current issues, and suggesting future developments. Its kernel comprises discussion of the performer's primary source-materials and their interpretation, aspects of style and technique that combine to make up a well-grounded, period interpretation, and a survey of performance conditions and practices. more...

  • Playing with Historyby John Butt; Laurence Dreyfus

    Cambridge University Press 2002; US$ 27.00

    In this challenging study, John Butt sums up recent debates on the nature of historically informed musical performance, calling upon a seemingly inexhaustible fund of ideas gleaned from historical musicology, analytic philosophy, literary theory, historiography and theories of modernism and postmodernism. more...

  • Text and Actby Richard Taruskin

    Oxford University Press 1995; US$ 45.00

    Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity." Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking a wide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than the historical verisimilitude for which it ostensibly strives could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking,... more...

  • The Muse that Singsby Ann McCutchan

    Oxford University Press 1999; US$ 50.00

    The Muse That Sings is a unique behind-the-scenes look at both twentieth-century music and the nuts and bolts of creative work. Here, twenty-five of America's leading composers--from Adams to Zorn, from Bolcom to Vierk--talk candidly about their craft, their motivations, their difficulties, and how they how proceed from musical idea to finished composition. While focusing on the process and the stories behind specific works, the composers also touch on topics that will interest anyone involved in creative work. They discuss teachers and mentors, the task of revision, relationships with performers, and the ongoing struggle for a balance between freedom and discipline. They reveal sources of inspiration, artistic goals, and the often unexpected... more...

  • Mastering the Art of Performanceby Stewart Gordon

    Oxford University Press 2006; US$ 19.95

    Offers advice for musicians on conquering the demands of performance. This book spans various aspects of the performance process from the planning and preparatory stages, through the actual performance, evaluation, and cultivation of a life devoted to performance. more...

  • Composers at Workby Jessie Ann Owens

    Oxford University Press 1998; US$ 50.00

    Using sketches and other documentary evidence, this study is an investigation of composition in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition. more...