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American Popular Music and Its Business, Volume III
Oxford University Press 1988; US$ 174.99This is the last of three volumes designed, in the author's words, to tell 'the story of America's popular songs, the people who wrote them, and the business they created and sustained'. more...
Swing to Bop
Oxford University Press 1987; US$ 25.95More than fifty major figures in jazz preserve for posterity their recollections of how jazz moved from the big band era in the late 1930s and 1940s into the modern jazz period. more...
Chicago Jazz
Oxford University Press 1995; US$ 19.95Charts the development of jazz in Chicago before, during and after World War I. In addition to detailing the technical aspects of the jazz form that evolved during this time, the author describes the social and political ramifications of early urban jazz. more...
The Jazz Scene
Oxford University Press 1993; US$ 19.95This is an informal history of New Orleans jazz from the turn of the 20th century to the present day, as told by the musicians themselves in interviews conducted by the author. more...
The Jazz Tradition
Oxford University Press 1993; US$ 39.99A blend of musical history and criticism, this study of jazz includes chapters on King Oliver, Jelly Roll Morton, John Coltrane and Ornette Coleman. In addition to an expanded essay on Count Basie, this edition includes pieces on Eric Dolphy, Bill Evans and the World Saxophone Quartet. more...
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Oxford University Press 1994; US$ 19.95An anecdotal autobiography of Bill Crow's career in jazz, from his arrival in New York City in the 1950s to his professional life as a jazz bassist, playing with the likes of Benny Goodman, Gerry Mulligan, Charlie Parker, Dizzy Gillespie and Marian McPartland. more...
The Voices that Are Gone
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Recorded Music in American Life
Oxford University Press 2003; US$ 45.00Kenney examines the interplay between recorded music and the key social, political, and economic forces in America during the era of the phonograph's rise and decline as the dominant medium of popular recorded sound: from the appearance of the first commercial recordings to the postwar years when the industry became more complex and less powerful. more...
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Oxford University Press 1997; US$ 39.99In this second collection of his essays, author Santoro explores how, as music criss-crosses the globe with ever-greater speed, musicians seize what is useful to them and expand their idioms more rapidly. His subjects include: Jimi Hendrix; Paul Simon; Charles Mingus; and Thelonius Monk. more...
Louisiana Hayride
Oxford University Press 2005; US$ 33.99Provides an examination of northwest Louisiana's unique musical milieu, home to the Louisiana Hayride, a radio barn dance between 1948 and 1960. The region's history, geography, race relations, media, and other forces set the stage for the Hayride's critical role in both country music and rock-and-roll. more...
