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Instrumental Teaching in Nineteenth-Century Britainby David J. Golby
Ashgate Publishing Ltd 2007; US$ 130.00Drawing together information from a wide variety of primary and secondary sources, in particular treatises and tutors, David Golby demonstrates that while Britain produced many fewer instrumental virtuosi than its foreign neighbours, there developed a more serious and widespread interest in the cultivation of music throughout the nineteenth century. Discussion of general developments and issues is followed by a detailed examination of violin pedagogy, method and content which is used as a guide to society's influence on cultural trends and informs the discussion of other instruments and institutional training that follows.The book includes a chronology of developments in 19th-century British music education, and a particularly useful feature... more...
Music and Dyslexiaby Tim Miles; John Westcombe; Diana Ditchfield
John Wiley & Sons, Ltd. 2008; US$ 130.00Music and dyslexia is of particular interest for two reasons. Firstly, research suggests that music education can benefit young dyslexics as it helps them focus on auditory and motor timing skills and highlights the rhythms of language. Secondly, dyslexic musicians at a more advanced level face particular challenges such as sight-reading, written requirements of music examinations and extreme performance nerves. This is a sequel to the highly successful Music and Dyslexia: Opening New Doors, published in 2001. The field of dyslexia has developed rapidly, particularly in the area of neuropsychology. Therefore this book focuses on these research advances, and draws out the aspects of music education that benefit young... more...
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Campus Verlag 2009; US$ 18.22Hauptbeschreibung Sie ist taub und spricht vier Fremdsprachen. Sie kann Musik nicht hören und tanzt Ballett. Sarah Neef lebt seit ihrer Geburt mit einem Schicksal, das man sich als Hörender kaum vorstellen kann. In ihrer beeindruckenden Autobiografie schildert sie, wie sie es mit ihrem starken Willen, großer Disziplin und schier unerschöpflicher Energie schafft, am Leben der Hörenden teilzuhaben. Früh erlernt Sarah das Lippenlesen und übt das Sprechen, meistert die Schulzeit unter Hörenden mit Bestnoten und entdeckt schon als Kind die Liebe zum Tanz und zur Musik. Sie nimmt die Töne als Vibrationen wahr und fühlt sie mit ihrem Körper. Sarah Neef lässt uns an ihrem Leben teilnehmen und möchte auch andere ermutigen, sich wegen ihrer vermeintlichen... more...
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