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  • Abgrenzung des Music on Demand Dienstes vom Webradio anhand des Beispiels "StayTuned"by Rilana Wenske

    Diplomica Verlag 2011; US$ 37.73

    Hauptbeschreibung Fokus dieses Buches sind die zwei für Musikwerke relevanten Verwertungsformen des Urheberrechtsgesetzes, deren Abgrenzung im Einzelfall immer wieder Schwierigkeiten bereitet. Das Recht der öffentlichen Zugänglichmachung eines Werkes gem. § 19a UrhG, welches anhand des MoD-Dienstes dargestellt wird, sowie das Senderecht gem. § 20... more...

  • Balancing Copyright - A Survey of National Approachesby Reto M. Hilty; Sylvie Nérisson

    Springer 2012; US$ 219.99

    How does copyright law take into account the interests of third parties, especially the general public interest in the greatest possible dissemination of knowledge and culture? Twelve questions give copyright law experts from more than forty countries, the opportunity to provide answers related to their national law about the following matters: categories... more...

  • Beiträge zur Geschichte des Urheberrechts.by Elmar Wadle

    Duncker & Humblot 2012; US$ 84.12

    Hauptbeschreibung »>Jede Kultur verdankt sich und ihr Wissen ihrem Gestern. Alles Wissen ist gestrig. Ob es sich heute erweitert, wird sich in der Regel erst morgen entscheiden. »Die Kreativität einzelner Menschen soll andere bereichern und anregen, sie muß aber zugleich rechtlich umhegt werden, soll sie erhalten bleiben. Eine empfindliche Quelle... more...

  • Bootleggingby Lee Marshall

    SAGE Publications 2005; US$ 40.00

    This book develops a sociological understanding of authorship and copyright, through a case study of bootlegging. Bootlegs are copies of recordings released without the permission of the rights holder. They hold a prominent position in the pantheon of popular music. Bootlegging constitutes the first academic treatment of the subject. more...

  • Copyright, Communication and Cultureby Carys J. Craig

    Edward Elgar Publishing 2011; US$ 40.00

    In this provocative book, Carys Craig challenges the assumptions of possessive individualism embedded in modern day copyright law, arguing that the dominant conception of copyright as private property fails to adequately reflect the realities of cultural creativity. Employing both theoretical argument and doctrinal analysis, including the novel use... more...

  • Copyright, Contracts, Creatorsby G. D?Agostino

    Edward Elgar Publishing 2010; US$ 40.00

    Copyright, Contracts, Creators evaluates the efficacy of current copyright law to address the contracting and use of creative works. more...

  • Copyright Lawby P. Torremans

    Edward Elgar Publishing 2007; US$ 60.00

    Traces the changes undergone and the challenges faced by copyright, as well as its roots and its diversity. This book brings together a group of copyright scholars who analyze a range of issues and aspects of copyright law, and a multiplicity of perspectives on a single topic. more...

  • Copyright and Cultural Heritageby Estelle Derclaye

    Edward Elgar Publishing 2010; US$ 40.00

    Thanks to digitisation and the Internet, preservation of and access to our cultural heritage - which consists of works protected by copyright and works in the public domain - have never been easier. This essential book examines the twin issues of the preservation of, and access to, cultural heritage and the problems copyright law creates and the solutions... more...

  • Copyright and Multimedia Productsby Irini A. Stamatoudi; William R. Cornish; Francois Dessemontet; Paul Goldstein; Robin Jacob

    Cambridge University Press 2001; US$ 60.00

    Although multimedia products are highly successful, they are inadequately protected by existing copyright schemes. Stamatoudi considers existing legislation, and chapters treat topics including databases, audiovisual works and computer programs; finally, she offers a model for a European legislative solution. This will interest academics, students,... more...

  • Copyright and Popular Mediaby Trajce Cvetkovski

    Palgrave Macmillan 2013; US$ 90.00

    Copyright governance is in a state of flux because the boundaries between legal and illegal consumption have blurred. Trajce Cvetkovski interrogates the disorganizational effects of piracy and emerging technologies on the political economy of copyright in popular music, film and gaming industries. more...