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Organic Chemistry of Museum Objects
Taylor and Francis 2012; US$ 112.00'The Organic Chemistry of Museum Objects' makes available in a single volume, a survey of the chemical composition, properties and analysis of the whole range of organic materials incorporated into objects and artworks found in museum collections. The authors cover the fundamental chemistry of the bulk materials such as wood, paper, natural fibres... more...
Museum Experience Revisited
Left Coast Press 2012; US$ 94.00The first book to take a "visitor's eye view" of the museum visit when it was first published in 1992, The Museum Experience revolutionized the way museum professionals understand their constituents. Falk and Dierking have updated this essential reference, incorporating advances in research, theory, and practice in the museum field over the last twenty... more...
Managing Historic Sites and Buildings
Taylor and Francis 2013; US$ 44.95Managing Historic Sites and Buildings looks at the choices and the tensions that exist in conservation and interpretation of the heritage. Preservation and presentation are central activities, arguably means and ends in the conservation of the historic environment. But are they self-reinforcing or do they work against each other? In a series of essays... more...
Post Critical Museology
Taylor and Francis 2013; US$ 44.95Post-Critical Museology considers what the role of the public and the experience of audiences means to the everyday work of the art museum. It does this from the perspectives of the art museum itself as well as from the visitors it seeks. Through the analysis of material gathered from a major collaborative research project carried out at Tate Britain... more...
Interpretive Planning for Museums
Left Coast Press 2013; US$ 84.00Museum professionals' increased focus on visitors in recent years has been demonstrated by, among other things, the enhanced practice of evaluation and the development of interpretive plans. Yet too often, these efforts function independent of one another. This book helps museums integrate visitors' perspectives into interpretive planning by recognizing,... more...
Museums and Public Value
Ashgate Publishing Ltd 2013; US$ 79.95A range of authors from around the world unpack the concept of Public Value and examine its implications for museums. They situate Public Value within current management theory and practice, offer tools for implementation, highlight examples of successful practice and examine the evidence of Public Value that governments seek to inform policy and funding... more...
Museum Collections Management
Facet Publishing 2011; US$ 85.17A guide to collections management. It addresses the key principles and strategies for looking after culturally significant objects and their associated information as well as the relevant laws and codes of ethics. It covers the information a collections manager needs to know, whatever the size and type of collection. more...
Conservation Science
Royal Society of Chemistry 2006; US$ 56.00Conservation of artefacts and heritage materials is an increasingly popular and fascinating area, spanning both historical and scientific disciplines. Materials come in many forms ranging from sunken ships to tapestries, from buildings to books. With this wide range of matrices and materials to analyse and preserve, an interdisciplinary approach is... more...
Learning in the Museum
Taylor and Francis 2013; US$ 47.95Learning in the Museum examines major issues and shows how research in visitor studies and the philosophy of education can be applied to facilitate a meaningful educational experience in museums. Hein combines a brief history of education in public museums, with a rigorous examination of how the educational theories of Dewey, Piaget, Vygotsky... more...
Hands-On Exhibitions
Taylor and Francis 1998; US$ 42.95The development of interactive displays has transformed the traditional museum world in the last decade. Visitors are no longer satisfied by simply gazing at worthy displays in glass cases - they expect to have hands-on experience of the objects and be actively involved with the exhibits, learning informally and being entertained simultaneously. Hands-on... more...
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