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Contemporary Theatre in Educationby Roger Wooster
Intellect 2007; US$ 10.00Theatre in Education emerged in the mid-sixties as a unique hybrid of performance and child-centred learning. Contemporary Theatre in Education charts the creation and adaptation of this 'hybrid' through the changing political, economic and educational environment. It also takes a 'snapshot' of the TIE being created today, considering all the projects being performed in Wales during a single month. The projects are analysed and every TIE director interviewed about the work and the policies of their companies. It becomes very clear that that the distinction between TIE and Children’s Theatre is being blurred. Is it possible for the hybrid to survive? Or have the economics of schools, the post-National Curriculum educational... more...
The Importance of Being Earnestby Susan Van Kirk
John Wiley & Sons, Inc. 2004; US$ 7.49The original CliffsNotes study guides offer a look into critical elements and ideas within classic works of literature. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format. CliffsNotes on The Importance of Being Earnest offers a concise look at this Victorian farce, which tweaks the complacency and aristocratic attitudes prevalent among the wealthy upper class of the time. Hidden identities, fierce repartee, underlying passions, and surprises punctuate this lively play. This study guide shows, through its expert commentaries, just how three sets of lovers clear up mishap and misunderstandings and end up happily ever after. Other features that help you figure... more...
Public and Performance in the Greek Theatreby Peter D. Arnott
Routledge 1991; US$ 44.95Professor Arnott discusses the practical staging of Greek plays, and relates theatre practice to literary structure by demonstrating, for example, how the buildings themselves imposed particular constraints on actors and writers alike. more...
'Tis Pity She's A Whoreby Simon Barker; John Ford
Routledge 1997; US$ 34.95Simon Barker guides the reader through the full range of previous interpretations of the play. This text in particular has provided a major focus for scholarship as well as being the subject of a number of major theatrical productions. more...
Performing Brechtby Margaret Eddershaw
Routledge 1996; US$ 42.95An unprecedented history of the production of Brecht's plays in Britain over the last forty years. Eddershaw surveys all aspects of Brecht in performance, from his methodologies to his place in postmodernist theatre and beyond. more...
Sourcebook on Naturalist Theatreby Christopher Innes
Routledge 2000; US$ 44.95A Sourcebook on Naturalist Theatre provides a fascinating overview of naturalist theatre. Innes has selected three writers, Ibsen, Chekhov and Bernard Shaw to exemplify the movement. A must for all students studying naturalist theatre. more...
Language of Dramaby Keith Sanger
Routledge 2000; US$ 28.95This book is unique in offering A-Level and undergradute students hands-on practical experience of textual analysis focused on drama. It applies contemporary linguistic research to a wide range of plays, soap operas and screenplays. more...
Unediting the Renaissanceby Leah S. Marcus
Routledge 1996; US$ 41.95A path-breaking and timely look at the issues of the textual editing of Renaissance works. Both erudite and accessible, it is fascinating and provocative reading for any Renaissance student and scholar. more...
Marxist Shakespearesby Jean E. Howard; Scott Cutler Shershow
Routledge 2000; US$ 36.95Marxist Shakespeares uses the rich analytic resources of the Marxist tradition to look at Shakespeare's plays afresh. more...
Gender and Modern Irish Dramaby Susan Cannon Harris
Indiana University Press 2002; US$ 33.55Gender and Modern Irish Drama argues that the representations of sacrificial violence central to the work of the Abbey playwrights are intimately linked with constructions of gender and sexuality. Susan Cannon Harris goes beyond an examination of the relationship between Irish national drama and Irish nationalist politics to the larger question of the way national identity and gender identity are constructed through each other. Radically redefining the context in which the Abbey plays were performed, Harris documents the material and discursive forces that produced Irish conceptions of gender. She looks at cultural ... more...
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