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The Historical Performance of Musicby Colin Lawson; Robin Stowell
Cambridge University Press 1999; US$ 27.00This volume offers an overview of historical performance, surveying current issues, and suggesting future developments. Its kernel comprises discussion of the performer's primary source-materials and their interpretation, aspects of style and technique that combine to make up a well-grounded, period interpretation, and a survey of performance conditions and practices. more...
Playing with Historyby John Butt; Laurence Dreyfus
Cambridge University Press 2002; US$ 27.00In this challenging study, John Butt sums up recent debates on the nature of historically informed musical performance, calling upon a seemingly inexhaustible fund of ideas gleaned from historical musicology, analytic philosophy, literary theory, historiography and theories of modernism and postmodernism. more...
Text and Actby Richard Taruskin
Oxford University Press 1995; US$ 45.00Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity." Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking a wide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than the historical verisimilitude for which it ostensibly strives could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking,... more...
Mastering the Art of Performanceby Stewart Gordon
Oxford University Press 2006; US$ 19.95Offers advice for musicians on conquering the demands of performance. This book spans various aspects of the performance process from the planning and preparatory stages, through the actual performance, evaluation, and cultivation of a life devoted to performance. more...
Orchestrationby Paul Mathews
Routledge 2006; US$ 35.00Intended for college-level music majors, this collection traces the history of orchestration, beginning with Beethoven's Orchestra (with writings by Berlioz, Wagner, Gounod, Mahler, and others). It illuminates how orchestration has grown and developed, and offers a variety of theories that have been embraced by practitioners in the field. more...
The End of Early Musicby Bruce Haynes
Oxford University Press, USA 2007; US$ 39.99Part history, part explanation of early music, this book also plays devil's advocate, criticizing current practices and urging experimentation. Haynes, a veteran of the movement, describes a vision of the future that involves improvisation, rhetorical expression, and composition. Written for musicians and non-musicians alike. more...
Collective Talentby Jacqueline B. de Jong
Amsterdam University Press 2006; US$ 49.50Muzikale groepsimprovisatie levert opvallende en dramatische voorbeelden op van de talentvolle manier waarop mensen kunnen interacteren en elkaar inspireren. Zulke muzikale sessies kunnen als voorbeeld dienen van talentvolle groepsimprovisatie in het algemeen. Dit proefschrift gaat over manieren om getalenteerde geïmproviseerde groepsprocessen tot stand te brengen en te ondersteunen. Het onderzoek richt zich op de vraag welk soort interface hiervoor nodig is. Geïnspireerd door de Conversatie Theorie van Pask heeft de auteur een theorie ontwikkeld om collectief talent te ondersteunen. De onderzoeksbenadering en de resultaten zijn niet beperkt tot muziek, maar ook relevant voor gebieden als management & organisatie en ICT. more...
Inside Early Musicby Bernard D. Sherman
Oxford University Press, USA 2003; US$ 30.00Preface and Acknowledgments. Introduction: An Atmosphere of Controversy. PART ONE: The Middle Ages, Plainchant, and "Otherness". 1. A Different Sense of Time-Marcel Peres on plainchant. 2. You Can't Sing a Footnote--Susan Hellauer on performing medieval music. 3. Vox Feminea--Barbara Thornton on Hildegard von Bingen. 4. The Colonizing Ear--Christopher Page on medieval music. Postscript: The Middle Ages, Plainchant, and "Otherness". PART TWO: The Renaissance, Oxbridge, and Italy. The Modern "English Countenance". 5. There Is No Such Thing as a Norm--Paul Hillier on Renaissance sacred vocal music. 6. Other Kinds of Beauty--Peter Phillips on Palestrina and the Tallis Scholars. 7. Singing Like a Native--Alan Curtis,... more...
The Sound of Broadway Musicby Steven Suskin
Oxford University Press, USA 2009; US$ 55.00Verse: On Orchestrators and Orchestration. Refrain: Men of Notes (And a Few Women, Too). I. The Dreyfus System. II. Twelve Major Orchestrators. III. Ghosts and Other Helpers. IV. Valued Members of the Music Department. V. Comparative Orchestrators. Bridge: The Art of Orchestration. VI. From Song to Stage. VII. The Arrangement. VIII. Overture. IX. Meet the Colors. X. And Then Comes the Orchestrator. XI. The Orchestration. XII. Putting it Together. XIII. "Sweeney in the Pit with Steve". Final Refrain: What's the Score?. XIV. About the Listings. XV. The Listings. XVI. Additional Shows by Other Orchestrators. Coda. Chronology. Acknowledgements. Sources and Bibliography. Index more...
Out of Sightby Lynn Abbott; Doug Seroff
University Press of Mississippi 2009; US$ 40.00"A product of old-fashioned, back-wearying, foundational scholarship, yet very readable, this book is certain to feature importantly in future studies of early jazz and its prehistory. Highly recommended." ? Library Journal. "This volume makes possible the study of the rise of black music in the days that paved the way for the Harlem Renaissance?the brass bands, the banjo and mandolin clubs, the male quartets, and theatrical companies. Summing up: Essential." ? Choice Outstanding Academic Title. A landmark study, based on thousands of music-related references mined by the authors from a variety of contemporaneous sources, especially African American community newspapers, Out of Sight examines musical personalities, issues,... more...









