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Pitch Perfectby Mickey Rapkin
Penguin Group Inc. 2008; US$ 12.99High notes, high drama, and high jinks collide as elite collegiate a cappella groups compete to be the best in the nation Journalist Mickey Rapkin follows a season in collegiate a cappella, covering the breathtaking displays of vocal talent, the groupies (yes, a cappella singers have groupies), the rock-star partying (and run-ins with the law), and all the bitter rivalries. Along the way are encounters with a cappella alums like John Legend and Diane Sawyer and fans from Prince to presidents. Bringing a lively new twist to America's fascination with talent showdowns, Pitch Perfect is sure to strike a chord with readers. more...
After Adornoby Tia DeNora
Cambridge University Press 2003; US$ 27.00Argues that music sociology can be greatly enriched by a return to Adorno's focus on music as a dynamic medium of social life. A guide to 'how to do music sociology', it covers aesthetic ordering, cognition, the emotions and music as a management device through a series of grounded examples. more...
The Careers of British Musicians, 1750-1850by Deborah Rohr
Cambridge University Press 2001; US$ 40.00The study of the social context of music must consider the day-to-day experiences of its practitioners. This book traces the daily working life and aspirations of British musicians during the sweeping social and economic transformation of Britain from 1750 to 1850. more...
German Modernismby Walter Frisch
University of California Press 2005; US$ 15.95In this pioneering, erudite study of a pivotal era in the arts, Walter Frisch examines music and its relationship to early modernism in the Austro-German sphere. Seeking to explore the period on its own terms, Frisch questions the common assumption that works created from the later 1870s through World War I were transitional between late romanticism and high modernism. Drawing on a wide range of examples across different media, he establishes a cultural and intellectual context for late Richard Wagner, Richard Strauss, Gustav Mahler, and Arnold Schoenberg, as well as their less familiar contemporaries Eugen d'Albert, Hans Pfitzner, Max Reger, Max von Schillings, and Franz Schreker. Frisch explores "ambivalent" modernism in the last quarter... more...
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Oxford University Press 1999; US$ 50.00Under a totalitarian regime, can art and artists be innocent? This questions and its implications are explored in Michael Kater's broad survey of musicians, and the music they composed and performed during the Third Reich. more...
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Oxford University Press 2005; US$ 85.00Presenting a study of the French early music revival, this book gives us a sense of how music's cultural meanings were contested in the nineteenth century. It surveys the main patterns of revivalist activity while also providing studies of repertories stretching from Adam de la Halle to Rameau. more...
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Routledge 2007; US$ 25.00Theorizes the musical aspects of the changes that have overtaken major cities in the developed world over the past few decades. Drawing on musicology, music theory, urban geography, and historical materialism, this book maps changes not only in how music represents cities, but also in how music sounds and is deployed socially in urban contexts. more...
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Penguin Group Inc. 2007; US$ 12.99In the spirit of Friday Night Lights comes the stirring story of a marching band from small-town middle America . Every fall, marching bands take to the field in a uniquely American ritual. For millions of kids, band is a rite of passage?a first foray into leadership and adult responsibility, and a chance to learn what it means to be a part of a community. Nowhere is band more serious than at Concord High School in Elkhart, Indiana, where the entire town is involved with the success of its defending state champion band, the Marching Minutemen. In the place where this tradition may have originated, in the city that became the band instrument capital of the world, band is a religion. But it?s not the only religion?as legendary director... more...
