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Merlinby Peter Goodrich; Norris J. Lacy
Routledge 2003; US$ 135.00This book deals with all aspects of the Merlin legend, from its origins to its expression in medieval and modern literature, film, and popular culture. Two of the reprinted essays are translated into English for the first time. more...
The Holy Grailby Giles Morgan
Pocket Essentials 2006; US$ 9.99Charting the emergence of the story of the Grail offers a revealing insight into the cultural shift from Celtic paganism to the emergence and domination of Christianity in Western Europe. The influence of Eastern mysticism emerges in the Grail romances as a result of the medieval crusades with its clash of cultures and subsequent cross-pollination of ideas. The Grail has come to symbolise the ultimate achievement in the modern mind and it became an object of fascination for the psychologist Carl Jung and the poet TS Eliot. Wagner, William Blake and the Pre-Raphaelites are just some of the artists to have fallen under its enduring spell. more...
Arthurian Romanceby Derek Pearsall
John Wiley & Sons, Ltd. 2008; US$ 57.95This witty and accessible book traces the history of Arthurian romance from medieval to modern times, explaining its enduring appeal. Traces the history of Arthurian romance from medieval to modern times. Covers art and films as well as the great literary works of Arthurian romance. Draws out the changing political, moral and emotional uses of the story. Explains the enduring appeal of the Arthurian legend. Written by an author with vast knowledge of medieval literature. more...
Gauvain, Gawein, Waleweinby Bernhard Anton Schmitz
Walter de Gruyter, Inc. 2008; US$ 104.00The function of the figure of Gauvain underwent an historical change. As a courtly character in the classical romances, he reacted in the interests of Arthurian society to its deficiencies, so that the action provoked by the disturbances came to rest. In the later romances, a process of emancipation in the role of the protagonist sets in. The personal motivation connected with this role stood in conflict with the function of the figure of Gauvain as established in the tradition of the genre, and this led to problems of causality in the texts. Despite this process of emancipation, however, the figure remained remarkably stable in a consistent narrative model. In this model, Chrétien de Troyes had set the figure up as an antagonist to that of... more...
Das mittelniederdeutsche Theophilus-Spielby Andre Schnyder
Walter de Gruyter, Inc. 2009; US$ 182.00This publication of the three 15th century Low German versions of the play of Theophilus is based on the revised edition by Robert Petsch; the arrangement of the text makes it possible to read effortlessly in parallel the versions H and S used. Access to the original text is facilitated both by the facing translation, linked to a detailed linguistic and factual commentary, and by the concluding section, which gives an introduction to the history of the material of the play and its literary formation, and in addition presents a literature report on everything known today about the iconographic tradition. more...
Artushof und Artusliteraturby Matthias Daumer; Cora Dietl; Friedrich Wolfzettel
Walter de Gruyter, Inc. 2010; US$ 155.00The court of King Arthur, the center of the Arthurian romances that were so popular in the Middle Ages, is illuminated anew in this book from an interdisciplinary perspective as an institution which is fictionally staged, stabilized and problematized. The book explores the forces, figures and positions that constitute or endanger the court as a picture of society in miniature or as a literary experiment. Finally, the contributions critically question the ›ideality‹ of the court of King Arthur and investigate the function and reception of the court even in contexts remote from courts. more...
Irony in the Medieval Romanceby Dennis Howard Green
Cambridge University Press 1979; US$ 44.00Despite the fashionable standing of irony in studies of modern literature and its occasional application to medieval studies in a number of recent works, no sustained analysis of this phenomenon has yet been attempted for medieval literature. more...
Gualter del Hum ? Gaiferos ? Walthariusby Gustav Adolf Beckmann
Walter de Gruyter, Inc. 2010; US$ 98.00The title figure of Waltharius, an exclusive research subject of German Studies since the time of the Brothers Grimm, has become interesting for other philologies as well over the last 120 years, repeatedly in the form of ?border crossings?. However, it has been impossible to reach a consensus even in the most elementary questions. Romance Studies is directly involved due to the problem complexes of Gualter del Hum, Gaiferos and the mother tongue of the Waltharius poet. Additional border crossings, however, are required to conduct new research on these problem complexes. This has become evident on the basis of new linguistic and onomastic observations in this book. Thus, almost an all-round monograph on one of the most multifaceted figures... more...
Artusroman und Mythosby Matthias Däumer; Cora Dietl; Friedrich Wolfzettel
Walter de Gruyter 2011; US$ 180.00?Arthurian myth? is a frequently used term. But what is a ?myth?? The current discussion of the term in the field of German studies is here opened up to interdisciplinary consideration. Focusing on Arthurian literature, the volume considers which interpretation of ?myth? is appropriate to which phenomena. Both content-related and structural definitions of myth are examined, with particular scrutiny of the mythic substrate in Arthurian romances and the various individual approaches to mythical narrative forms. It becomes clear that no definition of ?myth? is possible beyond one pertaining to the individual text. more...
The Arthur of the Northby Marianne E. Kalinke
University of Wales Press 2011; US$ 85.00The book introduces the reader to the stories about King Arthur and his knights and the lovers Tristan and Isolt that flourished in the Scandinavian countries—in Denmark, Iceland, Norway, and Sweden—in the Middle Ages and in early modern times. The versions of the Arthurian legend that were popular in the North were translations of mostly French literature. Although they were similar to their sources in many respects, the stories nonetheless underwent change in order to appeal to a culturally quite different audience in the North. more...
