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- The Floating Press 1904; US$ 6.95
The following book consists of brief biographical commentaries about Beethoven, each followed by sections of quotations attributed to the muse. In these quotes, Beethoven demonstrates his intense preoccupation (or obsession) with thinking artistically and intelligently, and with helping to alleviate man's suffering by providing man with musical... more...
- University of California Press 2008; US$ 31.95
The Danger of Music gathers some two decades of Richard Taruskin's writing on the arts and politics, ranging in approach from occasional pieces for major newspapers such as the New York Times to full-scale critical essays for leading intellectual journals. Hard-hitting, provocative, and incisive, these essays consider contemporary composition and... more...
- University of California Press 2008; US$ 29.95
Over the past four decades, Richard Taruskin's publications have redefined the field of Russian-music study. This volume gathers thirty-six essays on composers ranging from Bortnyansky in the eighteenth century to Tarnopolsky in the twenty-first, as well as all of the famous names in between. Some of these pieces, like the ones on Chaikovsky's alleged... more...
- Touchstone 1995; US$ 23.95
The quintessential primer for the budding classical music lover. Millions of people adore classical music. Millions of other people want to, but simply don?t know how or where to start?so many composers, so many pieces, so many versions, so much music! In either case, this book is for you. In this informal and informative guide, Rudel leads listeners... more...
- McFarland & Company, Inc., Publishers 2010; US$ 45.00
Forced to provide for his family from the age of 8 and thrown out of his home into a bitter Moscow winter at age 12, cellist Gregor Piatigorsky began his career as an archetypal struggling artist, using secondhand and borrowed instruments. When the October Revolution forced his escape to Warsaw, he enjoyed initial success with the Warsaw Philharmonic.... more...
- University of California Press 2010; US$ 29.95
Recordings are now the primary way we hear classical music, especially the more abstract styles of "absolute" instrumental music. In this original, provocative book, Arved Ashby argues that recording technology has transformed our understanding of art music. Contesting the laments of nostalgic critics, Ashby sees recordings as socially progressive... more...
- Cambridge University Press 1995; US$ 86.00
Ruth Smith sheds new light on Handel's oratorio librettists and explores literature, music, aesthetics, politics and religion to reveal his texts as conduits for eighteenth-century thought. more...