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A Schnittke Readerby Alfred Schnittke; Alexander Ivashkin
Indiana University Press 2002; US$ 19.95This compilation assembles previously published and unpublished essays by Schnittke and supplements them with an interview with cellist and scholar Alexander Ivashkin. The book is illustrated with musical examples, many of them in Schnittke's own hand. In A Schnittke Reader, the composer speaks of his life, his works, other composers, performers, and a broad range of topics in 20th-century music. The volume is rounded out with reflections by some of Schnittke's contemporaries. more...
Carl Maria von Weber and the Search for a German Operaby Stephen C. Meyer
Indiana University Press 2003; US$ 31.95Stephen C. Meyer details the intricate relationships between the operas Der Freischütz and Euryanthe, and contemporary discourse on both the "Germany of the imagination" and the new nation itself. In so doing, he presents excerpts from a wide range of philosophical, political, and musical writings, many of which are little known and otherwise unavailable in English. Individual chapters trace the multidimensional concept of German and "foreign" opera through the 19th century. Meyer's study of Der Freischütz places the work within the context of emerging German nationalism, and a chapter on Euryanthe addresses the ... more...
Camille Saint-Saensby Timothy Flynn
Routledge 2003; US$ 140.00This monograph offers an overview of the writings about Camille Saint-Saens, his music, and the general period in which he worked, calling attention to both the lesser-known writings on him and his music. more...
The Concertoby Michael Steinberg
Oxford University Press 2000; US$ 37.00In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm... more...
Nicolas Slonimskyby Nicolas Slonimsky
Taylor & Francis 2004; US$ 110.00At the beginning, it was not at all obvious how to organize this collection of Slonimsky writings, numbering in the hundreds. Clearly, Russian and Soviet music would be central. But also American music,North and South. Modern music cuts across all geographical categories. The articles varied considerably in length, tone, depth, intended readership. Written over more than fifty years, their historic perspective and writing style shift and evolve. more...
The Muse that Singsby Ann McCutchan
Oxford University Press 1999; US$ 50.00The Muse That Sings is a unique behind-the-scenes look at both twentieth-century music and the nuts and bolts of creative work. Here, twenty-five of America's leading composers--from Adams to Zorn, from Bolcom to Vierk--talk candidly about their craft, their motivations, their difficulties, and how they how proceed from musical idea to finished composition. While focusing on the process and the stories behind specific works, the composers also touch on topics that will interest anyone involved in creative work. They discuss teachers and mentors, the task of revision, relationships with performers, and the ongoing struggle for a balance between freedom and discipline. They reveal sources of inspiration, artistic goals, and the often unexpected... more...
Composers at Workby Jessie Ann Owens
Oxford University Press 1998; US$ 50.00Using sketches and other documentary evidence, this study is an investigation of composition in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition. more...
Orchestrationby Paul Mathews
Routledge 2006; US$ 35.00Intended for college-level music majors, this collection traces the history of orchestration, beginning with Beethoven's Orchestra (with writings by Berlioz, Wagner, Gounod, Mahler, and others). It illuminates how orchestration has grown and developed, and offers a variety of theories that have been embraced by practitioners in the field. more...
Creative Music Compositionby Margaret Lucy Wilkins
Routledge 2006; US$ 24.95Designed to be an introductory textbook for music students, this title aims to tackle the key ingredients that make for successful composition. It covers several musical languages, analyses various rhythmic forms, and suggests approaches for composing for a variety of instruments, as well as for the human voice. more...
Composing Music with Computersby Eduardo Miranda
Elsevier 2001; US$ 79.95Focuses on the role of the computer as a generative tool for music composition. Miranda introduces a number of computer music composition techniques ranging from probabilities, formal grammars and fractals, to genetic algorithms, cellular automata and neural computation. Anyone wishing to use the computer as a companion to create music will find this book a valuable resource. As a comprehensive guide with full explanations of technical terms, it is suitable for students, professionals and enthusiasts alike. The accompanying CD-ROM contains examples, complementary tutorials and a number of composition systems for PC and Macintosh platforms, from demonstration versions of commercial programs to exciting, fully working packages developed by... more...
