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Discographiesby Jeremy Gilbert; Ewan Pearson
Routledge 1999; US$ 39.95Examining Disco, HipHop, House, Techno, Drum 'n' Bass and Garage, Discographies traces the history of ideas about music and dance in Western culture. more...
Punk Rockby Roger Sabin
Routledge 1999; US$ 39.95Punk Rock: So What? brings together a new generation of writers, journalists and scholars to provide the first comprehensive assessment of punk and its place in popular music history, culture and myth. more...
NOBODY LIKES YOUby Marc Spitz
Hyperion 2006; US$ 13.95Combining unique access to Green Day with a seasoned journalist?s nose for a great story, Marc Spitz gives the complete account of the band, from their earliest days to their most recent explosion of popularity and critical acclaim. Foremost, Nobody Likes You is a story of friendship and the transporting power of playing very loud music. It is the story of how high school dropout Billie Joe Armstrong came to write song lyrics that inflamed the political conscience of fans in a way that two Yale graduates couldn?t. Green Day?s story ? from rise, to fall, to rise again ? has never before been fully told. more...
The Heebie-Jeebies at CBGB'sby Steven Lee Beeber
Chicago Review Press 2007; US$ 12.95Based in part on the recent interviews with more than 125 people —among them Tommy Ramone, Chris Stein (Blondie), Lenny Kaye (Patti Smith Group), Hilly Kristal (CBGBs owner), and John Zorn—this book focuses on punk’s beginnings in New York City to show that punk was the most Jewish of rock movements, in both makeup and attitude. As it originated in Manhattan’s Lower East Side in the early 1970s, punk rock was the apotheosis of a Jewish cultural tradition that found its ultimate expression in the generation born after the Holocaust. Beginning with Lenny Bruce, “the patron saint of punk,” and following pre-punk progenitors such as Lou Reed, Jonathan Richman, Suicide, and the Dictators, this fascinating... more...
Rip It Up and Start Againby Simon Reynolds
Penguin Group Inc. 2006; US$ 13.99Rip It Up and Start Again is the first book-length exploration of the wildly adventurous music created in the years after punk. Renowned music journalist Simon Reynolds celebrates the futurist spirit of such bands as Joy Division, Gang of Four, Talking Heads, and Devo, which resulted in endless innovations in music, lyrics, performance, and style and continued into the early eighties with the video-savvy synth- pop of groups such as Human League, Depeche Mode, and Soft Cell, whose success coincided with the rise of MTV. Full of insight and anecdote and populated by charismatic characters, Rip It Up re-creates the idealism, urgency, and excitement of one of the most important and challenging periods in the history of popular music. more...
Everybody Hurtsby Trevor Kelley; Leslie Simon
HarperCollins 2009; US$ 10.99What is emo? For starters it's a form of melodic, confessional, or EMOtional punk rock. But emo is more than a genre of music–it's the defining counterculture movement of the '00s. EVERYBODY HURTS is a reference book for emo, tracing its angsty roots all the way from Shakespeare to Holden Caufield to today's most popular bands. There's nothing new about that perfect chocolate and peanut butter combination––teenagers and angst. What is new is that emo is the first cultural movement born on the internet. With the development of early social networking sites like Make Out Club (whose mission is to unite "like–minded nerds, loners, indie rockers, record collectors, video gamers, hardcore kids, and artists through friendship,... more...
Iggy Pop: Open Up and Bleedby Paul Trynka
Broadway Books 2011; US$ 11.99“Fellow rock stars, casual members of the public, lords and media magnates, countless thousands of people will talk of their encounters with this driven, talented, indomitable creature, a man who has plumbed the depths of depravity, yet emerged with an indisputable nobility. Each of them will share an admiration and appreciation of the contradictions and ironies of his incredible life. Even so, they are unlikely to fully comprehend both the heights and the depths of his experience, for the extremes are simply beyond the realms of most people’s understanding.” —from the Prologue The first full biography of one of rock ’n’ roll’s greatest pioneers and legendary wild men Born James Newell Osterberg... more...
John Lydon: Stories of Johnnyby Rob Johnstone; Alan McGee; Greil Marcus; Kris Needs; Alan Clayson
Chrome Dreams 2007; US$ 12.00A set of stand-alone essays written by the cream of rock music's commentators—among them Rob Johnstone, Clinton Heylin, Legs McNeill, Greil Marcus, Kris Needs, Judy Nylon, Alan Clayson, and Nigel Williamson—this work could well be the final word on the symbol of 1970 punk they once called "Rotten." Love him or hate him, 30 years after the release of the Sex Pistols' first record, John Lydon—the man who was the focal point of the British punk movement—is impossible to ignore when discussing the history of rock. Was the Sex Pistols' album Never Mind the Bollocks the one true masterpiece of punk's first wave? How did the Pistols influence American punk? How does Lydon's... more...
I, Dollby Arthur Killer Kane
Chicago Review Press 2009; US$ 19.95When the New York Dolls' bassist died suddenly at age 55 in 2004, he left behind not only their timeless music—and many thousands of fans and friends—but a memoir of the Dolls' early years. This distinctive and extroverted voice of an undisciplined showman is presented with an introduction and epilogue by his widow, Barbara. This up close and personal perspective of the band's early days and late nights—including an instance where he locks himself out of the studio in full drag while tripping on LSD—chronicles the glorious, glamorous era of high times, high drama, and low comedy that captures the music, the style, and the life of the all-too-brief existence of the New York Dolls. more...
London's Burningby Dave Thompson
Chicago Review Press 2009; US$ 14.95The summer of 1976 through the summer of 1977 was the most significant year in British rock history, when punk rock rose from a murmur on the streets to a roar of defiance that still reverberates today. This collection of vivid memories of concerts and cultural flash points focuses on what was happening on the streets and in the clubs, answering questions like What brought punks together with London’s disenfranchised Rasta community? What made Teddy Boys—middle-aged men who dressed like 1950s rockers—hate punks so much that they roamed in packs looking for teenagers to beat up? What was it like to be in the now legendary Roxy Club? and Were the Sex Pistols really any good as a live band? Memories from others who... more...
