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Painting Treesby Naomi Myles
Boson Books 1999; US$ 7.50With quiet surety, Naomi Myles cultivates a contemplative wordscape allowing that ? . . . some roots be hidden and some exposed.? And in this crafted world we are asked to think of windows framing the past, some inhabitants in sharp focus, others, ?lights that flicker and go out.? ?Julie Suk Naomi Myles creates on aura of possibility in Painting Trees . Reading her poems is like taking a familiar road to sources where music, dance, words-art-really matter. ? Shelby Stephenson Boson Books also offers Painting Trees in print. For an author bio and photo, reviews and a reading sample, visit bosonbooks.com. more...
Norman Rockwellby Laura Claridge
Random House Publishing Group 2001; US$ 13.99Norman Rockwell’s tremendously successful, prolific career as a painter and illustrator has rendered him a twentieth-century American icon. However, the very popularity and accessibility of his idealized, nostalgic depictions of middleclass life have caused him to be considered not a serious artist but a “mere illustrator”–a disparagement only reinforced by the hundreds of memorable covers he drew for The Sunday Evening Post. Symptomatic of critics’ neglect is the fact that Rockwell has never before been the subject of a serious critical biography. Based on private family archives and interviews and publishes to coincide with a major two-year travelling retrospective of his work, this book reveals for the first... more...
Watercolor Painting For Dummiesby Colette Pitcher
John Wiley & Sons, Inc. 2008; US$ 24.99Have you ever been amazed by watercolor paintings that seem to spring to life before your eyes? Would you love to be able to paint with watercolors? Now, you can. Watercolor Painting For Dummies shows you the fun and easy way to create breathtaking paintings so beautiful you won’t believe you made them yourself. This friendly, guide gives you hands-on instruction and easy-to-follow, step-by-step exercises to help you master the basics. Filled with full-color projects and sample paintings, it shows you how to work with color and texture, practice composition, and make smooth changes. You’ll find out how to select the best tools, materials, and supplies, practice basic brush strokes, and use the three best common techniques: flat... more...
Watercolor Workshop IIby Glynis Barnes-Mellish
Dorling Kindersley 2007; US$ 14.95Building on the success of Drawing Workshop and Watercolor Workshop , the twelve new inspiring projects in each book targetartists who want to improve their skills and help them to further develop theirown style. Combines clear information with step-by-step projects Projects include up-close details, tips and hints Written by practicing artists whose innovative approach and enthusiasm aimto inspire Demonstrates how successful artists approach different themes and techniques more...
Practical Art: Watercolor Workshopby Glynis Barnes-Mellish
Dorling Kindersley 2006; US$ 14.95Featuring essential techniques, warm-up exercises, and inspiring projects, this book is perfect for those wanting to learn to paint withwatercolors. A fresh approach to learning watercolor skills Practical instruction with step-by-step projects warm-up exercises encourage experimentation Highlights the techniques and materials used by professional artists Simple steps to success more...
Straplessby Deborah Davis
Penguin Group Inc. 2004; US$ 12.99The subject of John Singer Sargent's most famous painting was twenty-three-year-old New Orleans Creole Virginie Gautreau, who moved to Paris and quickly became the "it girl" of her day. A relative unknown at the time, Sargent won the commission to paint her; the two must have recognized in each other a like-minded hunger for fame. Unveiled at the 1884 Paris Salon, Gautreau's portrait generated the attention she craved-but it led to infamy rather than stardom. Sargent had painted one strap of Gautreau's dress dangling from her shoulder, suggesting either the prelude to or the aftermath of sex. Her reputation irreparably damaged, Gautreau retired from public life, destroying all the mirrors in her home. Drawing on documents from private... more...
Joe's Torontoby Mendelson Joe
ECW Press 2005; US$ 11.95Mendelson Joe's portraits of Torontonians amount to a significant body of work. This collection exhibits fifty portraits from the experience, along with some of his own comments. more...
American Painting of the Nineteenth Centuryby Barbara Novak
Oxford University Press, USA 2007; US$ 21.00In this distinguished work, which Hilton Kramer in The New York Times Book Review called "surely the best book ever written on the subject," Barbara Novak illuminates what is essentially American about American art. She highlights not only those aspects that appear indigenously in our art works, but also those features that consistently reappear over time. Novak examines the paintings of Washington Allston, Thomas Cole, Asher B. Durand, Fitz H. Lane, William Sidney Mount, Winslow Homer, Thomas Eakins, and Albert Pinkham Ryder. She draws provocative and original conclusions about the role in American art of spiritualism and mathematics, conceptualism and the object, and Transcendentalism and the fact. She analyzes not only the paintings... more...
Ad Reinhardtby Michael Corris
Reaktion Books 2008; US$ 39.95Michael Corris examines Ad Reinhardt?s life and work, charting the development of his entire oeuvre - from abstract paintings, to graphic artwork, to illustrations and cartoons. more...
George Inness and the Science of Landscapeby Rachael Ziady DeLue
University of Chicago Press 2008; US$ 30.00George Inness (1825-94), long considered one of America's greatest landscape painters, has yet to receive his full due from scholars and critics. A complicated artist and thinker, Inness painted stunningly beautiful, evocative views of the American countryside. Less interested in representing the details of a particular place than in rendering the "subjective mystery of nature," Inness believed that capturing the spirit or essence of a natural scene could point to a reality beyond the physical or, as Inness put it, "the reality of the unseen." Throughout his career, Inness struggled to make visible what was invisible to the human eye by combining a deep interest in nineteenth-century scientific inquiry—including optics, psychology,... more...









