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  • The Essential Grouchoby

    Penguin Books Ltd 2008; Not Available

    No, Groucho is not my real name, I'm just breaking it in for a friend.' Presenting the greatest and most hilarious examples of Groucho, one of the most influential and well-loved figures in the long and glittering history of comedy. From early scripts to complete screenplays, from magazine funnies to fascinating personal correspondence, via books,... more...

  • The Rough Guide to 21st Century Cinemaby Adam Smith (2)

    Rough Guides Ltd 2012; Not Available

    Celebrate the centurys' finest movies in The Rough Guide to 21st Century Cinema , a lavishly illustrated homage to the world's best movies of this new era of cinema. The best 101 films: a run down of the finest films of the millenium from Hollywood blockbusters to indie gems. The hottest stars: features on the up and coming actors and... more...

  • Inventoryby A.V. Club; Chuck Klosterman

    Scribner 2009; Not Available

    Each week, the writers of The A.V. Club issue a slightly slanted pop-culture list filled with challenging opinions (Is David Bowie's "Young Americans" nearly ruined by saxophone?) and fascinating facts. Exploring twenty-four great films too painful to watch twice, fourteen tragic movie-masturbation scenes, eighteen songs about crappy cities, and... more...

  • Inventoryby A.V. Club; Chuck Klosterman

    Scribner 2009; Not Available

    Each week, the writers of The A.V. Club issue a slightly slanted pop-culture list filled with challenging opinions (Is David Bowie's "Young Americans" nearly ruined by saxophone?) and fascinating facts. Exploring twenty-four great films too painful to watch twice, fourteen tragic movie-masturbation scenes, eighteen songs about crappy cities, and... more...

  • Making the White Man's Indianby ANGELA ALEISS

    ABC-CLIO 2005; US$ 66.00

    The image in Hollywood movies of savage Indians attacking white settlers represents only one side of a very complicated picture. In fact sympathetic portrayals of Native Americans stood alongside those of hostile Indians in the silent films of D. W. Griffith and Cecil B. DeMille, and flourished during the early 1930s with Hollywood's cycle of pro-Indian... more...

  • Reel Black Talkby LINDA ALLEN; SPENCER MOON

    ABC-CLIO 1997; US$ 182.00

    As evidenced in interviews included in this volume, many African American filmmakers consider themselves artists first, their ethnicity being only part of what influences their work. This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current... more...

  • George Raftby Everett Aaker

    McFarland & Company, Inc., Publishers 2013; US$ 45.00

    In the early 1930s, George Raft, an actor and dancer from New York City's Hell's Kitchen, gained a name for himself playing stylish and charismatic gangsters in films like 1932's original Scarface. Raft's own real-life connection to the New York mob added frightening authenticity to his portrayals, and his star quality coincided with... more...

  • The Street Was Mineby Megan E. Abbott

    Palgrave Macmillan 2002; US$ 115.00

    This book considers a recurrent figure in American literature: the solitary white man moving through urban space. The descendent of Nineteenth-century frontier and western heroes, the figure re-emerges in 1930-50s America as the 'tough guy'. The Street Was Mine looks to the tough guy in the works of hardboiled novelists Raymond Chandler ( The Big... more...

  • Violent Affectby Marco Abel

    University of Nebraska Press 2008; US$ 45.00

    Countering previous studies of violent images based on representational and, consequently, moralistic assumptions, which, the author argues, inevitably reinforce the very violence they critique. He explains how violent images work upon the world. more...

  • Americanizing the Movies and ?Movie-Mad? Audiences, 1910-1914by Richard Abel

    University of California Press 2006; US$ 15.95

    This engaging, deeply researched study provides the richest and most nuanced picture we have to date of cinema?both movies and movie-going?in the early 1910s. At the same time, it makes clear the profound relationship between early cinema and the construction of a national identity in this important transitional period in the United States. Richard... more...