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Stimme(n) Im Textby Michael Scheffel; Andreas Blödorn; Daniela Langer
Walter de Gruyter, Inc. 2006; US$ 132.30Investigates various aspects of the relationship between the narrator's speech and that of the narrative figures within the triad of author, narrator and figure, drawing in historical aspects and insights from the psychology of cognition and reception. This volume presents fundamental research on central questions of modern narrative theory. more...
How Ficta Follow Fictionby Alberto Voltolini
Springer 2006; US$ 169.00Presents a theory of fictional entities which is syncretistic insofar as it integrates the work of previous authors. This work puts forward a metaphysical conception of the nature of these entities, according to which a fictional entity is a compound entity built up from both a make-believe theoretical element and a set theoretical element. more...
Hollywood's Blacklistsby Reynold Humphries
Edinburgh University Press 2008; US$ 99.99Are you now or have you ever been a member of the Communist Party?' That question was to be repeated endlessly during the anti-Communist investigations carried out by the House Committee on un-American Activities (HUAC) in the early 1950s. The refusal of ten members of the film industry to answer the question in 1947 led to the decision by studio bosses to fire them and never to hire known Communists in the future. The Hearings led to scores of actors, writers and directors being named as Communists or sympathisers. All were blacklisted and fired. Hollywood’s Blacklists is a history of the political and cultural factors relevant to understanding the why and the how of the various investigations of the alleged Communist infiltration... more...
Ornamenten van het vergetenby Lucia van Heteren; Chiel Kattenbelt; Christel Stalpaert
Amsterdam University Press 2007; US$ 35.00Ornamenten van het vergeten, zo typeert Walter Benjamin in Zum Bilde Prousts de typische vertelstructuur van diens grote werk A la recherche du temps perdu. Op zoek naar de verloren tijd orchestreert Proust het vergeten. Dit vergeten is "de zwarte muur waartegen zich enkele motieven vertonen, en het is dankzij deze zwarte muur dat de schimmen geprojecteerd, verlengd, uitvergroot kunnen worden". (Stefan Hertmans) Herinneren en vergeten gaan hand in hand, ook in de geschiedschrijving, al zullen vermoedelijk weinig geschiedschrijvers hun eigen werk typeren als het orchestreren van het vergeten. Wat voor patronen doen zich voor in de verhouding tussen herinneren en vergeten? Hoe produceert het vergeten een bepaald beeld van de theatergeschiedenis... more...
Basic Elements of Narrativeby David Herman
John Wiley & Sons, Ltd. 2009; US$ 93.95Basic Elements of Narrative outlines a way of thinking about what narrative is and how to identify its basic elements across various media, introducing key concepts developed by previous theorists and contributing original ideas to the growing body of scholarship on stories. Includes an overview of recent developments in narrative scholarship Provides an accessible introduction to key concepts in the field Views narrative as a cognitive structure, type of text, and resource for interpersonal communication Uses examples from literature, face to face interaction, graphic novels, and film to explore the core features of narrative Includes a glossary of key terms, full bibliography, and comprehensive index Appropriate for multiple audiences,... more...
Murder by Accidentby Jody Enders
University of Chicago Press 2009; US$ 36.00Over fifty years ago, it became unfashionable—even forbidden—for students of literature to talk about an author’s intentions for a given work. In Murder by Accident , Jody Enders boldly resurrects the long-disgraced concept of intentionality, especially as it relates to the theater. Drawing on four fascinating medieval events in which a theatrical performance precipitated deadly consequences, Enders contends that the marginalization of intention in critical discourse is a mirror for the marginalization—and misunderstanding—of theater. Murder by Accident revisits the legal, moral, ethical, and aesthetic limits of the living arts of the past, pairing them with examples from the present, whether they be reality... more...
The Story Is Trueby Bruce Jackson
Temple University Press 2009; US$ 23.95Making and experiencing stories, remembering and retelling them is something we all do. We tell stories over meals, at the water cooler, and to both friends and strangers. But how do stories work? What is it about telling and listening to stories that unites us? And, more importantly, how do we change them-and how do they change us? In The Story Is True , author, filmmaker, and photographer Bruce Jackson explores the ways we use the stories that become a central part of our public and private lives. He examines, as no one before has, how stories narrate and bring meaning to our lives, by describing and explaining how stories are made and used. The perspectives shared in this engaging book come from the tellers, writers, filmmakers, listeners,... more...
Routledge Encyclopedia of Narrative Theoryby David Herman; Manfred Jahn; Marie-Laure Ryan
Taylor & Francis 2007; US$ 60.95Drawing on narrative theory and analysis, this encyclopedia is intended for scholars, teachers, and students. more...
The First Five Pagesby Noah Lukeman
Simon & Schuster 2010; US$ 10.99In The First Five Pages, literary agent Noah Lukeman reveals the necessary elements of good writing, whether it is fiction, nonfiction, journalism, or poetry. Lukeman points out errors that will immediately send your manuscript into the rejection pile, including: A weak opening hook Overuse of adjectives and adverbs Flat or forced metaphors and similes Melodramatic, commonplace, or confusing dialogue Undeveloped characterizations and lifeless settings Unoriginal plot and characters A lack of plot progression and uneven pacing With exercises at the end of each chapter, this invaluable reference will allow novelists, journalists, poets, and screenwriters alike to improve their technique as they learn to eliminate... more...
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