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Opera

Most popular at the top

  • Puccini's TURANDOTby Burton D. Fisher

    Opera Journeys Publishing 2002; US$ 19.95

    A comprehensive guide to Puccini's TURANDOT, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with Italian/English side-by side, and over 20 music highlight examples. more...

  • Wagner's The Rhinegold (Opera Journeys Mini Guide Series) by Burton D. Fisher

    Opera Journeys Publishing 2006; US$ 9.75

    A comprehensive guide to Wagner's THE RHINEGOLD (Das Rheingold), featuring Principal Characters in the opera, Brief Story Synopsis, Story Narrative with Music Highlight Examples, and an insightful and in depth Commentary and Analysis by Burton D. Fisher, noted opera author and lecturer. more...

  • Operaby Edward O.D. Downes; Guy A. Marco

    Routledge 2001; US$ 175.00

    Covering over 320 composers and 43 countries, this book will be invaluable to opera scholars, researchers and serious listeners throughout the world. more...

  • Carl Maria von Weber and the Search for a German Operaby Stephen C. Meyer

    Indiana University Press 2003; US$ 31.95

    Stephen C. Meyer details the intricate relationships between the operas Der Freischütz and Euryanthe, and contemporary discourse on both the "Germany of the imagination" and the new nation itself. In so doing, he presents excerpts from a wide range of philosophical, political, and musical writings, many of which are little known and otherwise unavailable in English. Individual chapters trace the multidimensional concept of German and "foreign" opera through the 19th century. Meyer's study of Der Freischütz places the work within the context of emerging German nationalism, and a chapter on Euryanthe addresses the ... more...

  • Operatic Stateby Ruth Bereson

    Routledge 2002; US$ 128.00

    Bereson investigates the elite and privileged status of the closed-world of opera, and the way states have financed and supported it since its beginnings. more...

  • Operettaby Richard Traubner

    Routledge 2003; US$ 45.95

    Considered the classic history of this important musical theater form. Traubner's book, first published in 1983, is still recognized as the key history of the people and productions that made operetta a worldwide phenomenon. more...

  • Opera and Drama in Eighteenth-Century Londonby Ian Woodfield; Arthur Groos

    Cambridge University Press 2001; US$ 62.00

    This book explores the cultural life of Italian opera in late eighteenth-century London. Through primary sources, many analysed for the first time, Ian Woodfield examines such issues as finances, recruitment policy, handling of singers and composers, links with Paris and Italy, and the role of women in opera management. more...

  • Emblems of Eloquenceby Wendy Heller

    University of California Press 2003; US$ 80.00

    Opera developed during a time when the position of women?their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality?was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was shaped by and infused with the Republic's taste for the erotic... more...

  • Mimomaniaby Mary Ann Smart

    University of California Press 2004; US$ 26.95

    When Nietzsche dubbed Richard Wagner "the most enthusiastic mimomaniac" ever to exist, he was objecting to a hollowness he felt in the music, a crowding out of any true dramatic impulse by extravagant poses and constant nervous movements. Mary Ann Smart suspects that Nietzsche may have seen and heard more than he realized. In Mimomania she takes his accusation as an invitation to listen to Wagner's music?and that of several of his near-contemporaries?for the way it serves to intensify the visible and the enacted. As Smart demonstrates, this productive fusion of music and movement often arises when music forsakes the autonomy so prized by the Romantics to function mimetically, underlining the sighs of a Bellini heroine, for instance, or the... more...

  • Music Drama at the Paris Odéon, 1824?1828by Mark Everist

    University of California Press 2002; US$ 60.00

    Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odéon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odéon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts... more...