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  • The Craft of Comedyby Athene Seyler; Stephen Haggard; Robert Barton

    Taylor and Francis 2013; US$ 29.95

    "a work on the art and craft of comedy as important in its own way as works by Stanislavski and Chekhov" ? Oxford Theatre Companion In 1939, a young, inexperienced actor wrote to a famous actress of his acquaintance, asking for advice on playing comedy. She responded enthusiastically, and they corresponded variously over the next year. The... more...

  • Theatrical Improvisation, Consciousness, and Cognitionby Clayton D. Drinko

    Palgrave Macmillan 2013; US$ 45.00

    Improvisation teachers have long known that the human mind could be trained to be effortlessly spontaneous and intuitive. Drinko explores what these improvisation teachers knew about improvisation's effects on consciousness and cognition and compares these theories to current findings in cognitive neuroscience, psychology, and philosophy. more...

  • Crossing the Stageby Lesley Ferris

    Taylor and Francis 1993; US$ 48.95

    Crossing the Stage brings together for the first time essays which explore cross-dressing in theatre, cabaret, opera and dance. The volume contains seminal pieces which have become standard texts in the field, as well as new work especially commissioned from leading writers on performance. Crossing the Stage is an indispensable sourcebook on theatrical... more...

  • Voice and Bodyby Giuliano Campo; Zygmunt Molik

    Taylor and Francis 2010; US$ 37.95

    One of the original members of Jerzy Grotowski?s acting company, Zygmunt Molik?s Voice and Body Work explores the unique development of voice and body exercises throughout his career in actor training. This book, constructed from conversations between Molik and author Giuliano Campo, provides a fascinating insight into the methodology of this... more...

  • The Intercultural Performance Handbookby John Martin

    Taylor and Francis 2003; US$ 34.95

    The Intercultural Performance Handbook opens up a new world of technique for performers. The first ever full-length, fully illustrated manual for practitioners, it provides: *a guide to the physical, vocal and improvisational dynamics drawn from world performance styles *a new vocabulary with which to interpret plays from around the globe *games... more...

  • Stage Fright, Animals, and Other Theatrical Problemsby Nicholas Ridout

    Cambridge University Press 2006; US$ 37.00

    Things nearly always go wrong in the theatre. This study looks at the things that shouldn't happen: stage fright, embarrassment, animals on stage, getting the giggles and bumping into the furniture. All these turn out to be neither anomalies nor accidents, but are instead what makes theatre, theatre. more...

  • Masking Unmaskedby Eli Simon

    Palgrave Macmillan 2005; US$ 28.00

    Acting with masks is one of the most ancient stage techniques still in use. "Masking Unmasked" is a basic guide to using this ancient art to develop character and movement in four sections that correspond to mask size: full-face masks, clowning, bag masks, and half-face masks. more...

  • Physical Theatres: A Critical Readerby John Keefe; Simon Murray

    Taylor and Francis 2007; US$ 42.95

    Physical Theatres: A Critical Reader is an invaluable resource for students of physically orientated theatre and performance. This book aims to trace the roots and development of physicality in theatre by combining practical experience of the field with a strong historical and theoretical underpinning. In exploring the histories, cross-overs... more...

  • Physical Theatres: A Critical Introductionby Simon Murray; John Keefe

    Taylor and Francis 2007; US$ 39.95

    Physical Theatres: A Critical Introduction is the first account to provide a comprehensive overview of non text-based theatre, from experimental dance to traditional mime. This book synthesizes the history, theory and practice of physical theatres for students and performers, in what is both a core area of study and a dynamic and innovative aspect... more...

  • Playing the Otherby Nick Rowe

    Jessica Kingsley Publishers 2007; US$ 36.95

    This book is an exploration and critique of 'playback theatre', a form of improvised theatre in which a company of performers spontaneously enact autobiographical stories told to them by members of the audience. With more than ten years' experience with Playback Theatre York, the author introduces the reader to the basics of playback theatre. more...