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Special topics A-Z

  • 50 Top Tips for Giving the Best Best Man's Speech Ever!by The Wedding Fairy

    Andrews UK 2011; US$ 3.99

    When it comes to preparing the speech of a lifetime, there is literally only one man for the job and luckily you have just tracked him down! Yes, make sure you stand out from the crowd and leave your audience buzzing for more with this easy-to-use, top tips guide for best man perfection. Covering everything from gathering content to delivery, this... more...

  • Auditionsby Richard Evans

    Taylor and Francis 2012; US$ 32.95

    Auditions are an integral part of every performer's life. From getting into drama school, through to a successful career in an overcrowded industry, Auditions: A Practical Guide offers crucial advice and tried-and-tested techniques to maximize success before, during and after each audition. Written by an established casting director and former... more...

  • The Body Speaksby Lorna Marshall

    A&C Black 2008; US$ 19.49

    ’Stimulating and intelligent’ Yoshi Oida. Seventy percent of everyday conversation is conveyed through bodylanguage, twenty percent is the voice and only ten percent is themeaning of the words. In The Body Speaks, expert RADA trainerLorna Marshall, shows how to recognise and lose unwanted physicalinhibitions that our background, education... more...

  • Bringing the Body to the Stage and Screenby Annette Lust

    Scarecrow Press 2011; US$ 48.99

    As stage and screen artists explore new means to enhance their craft, a new wave of interest in expressive movement and physical improvisation has developed. In Bringing the Body to the Stage and Screen , Annette Lust provides these artists with a program of physical and related expressive exercises that can empower their art with more creativity.... more...

  • The Craft of Comedyby Athene Seyler; Stephen Haggard; Robert Barton

    Taylor and Francis 2013; US$ 29.95

    "a work on the art and craft of comedy as important in its own way as works by Stanislavski and Chekhov" ? Oxford Theatre Companion In 1939, a young, inexperienced actor wrote to a famous actress of his acquaintance, asking for advice on playing comedy. She responded enthusiastically, and they corresponded variously over the next year. The... more...

  • Crossing Cultural Borders Through the Actor's Workby Cláudia Tatinge Nascimento

    Taylor and Francis 2008; US$ 44.95

    A sophisticated analysis of how the intersection of technique, memory, and imagination inform performance, this book redirects the intercultural debate by focusing exclusively on the actor at work. Alongside the perspectives of other prominent intercultural actors, this study draws from original interviews with Ang Gey Pin (formerly with the Workcenter... more...

  • Crossing the Stageby Lesley Ferris

    Taylor and Francis 1993; US$ 48.95

    Crossing the Stage brings together for the first time essays which explore cross-dressing in theatre, cabaret, opera and dance. The volume contains seminal pieces which have become standard texts in the field, as well as new work especially commissioned from leading writers on performance. Crossing the Stage is an indispensable sourcebook on theatrical... more...

  • The DbD Experienceby Rachel Rosenthal; Kate Noonan

    Taylor and Francis 2009; US$ 36.95

    First, pick up a copy of Rachel Rosenthal?s inspiring The DbD Experience; Part manual, part manifesto, part memoir, then head for Los Angeles?.: FRIDAY - Origins. Arrive at the Doing by Doing workshop to be greeted by Rosenthal, pioneering theatre explorer and your host for the weekend ahead. Explore non-human ways of living and moving. Begin to develop... more...

  • Fame Usby Brian Howell; Norbert Ruebsaat; Stephen Osborne

    Arsenal Pulp Press 2007; US$ 18.95

    Photos, narratives, and quotations on the nature of fame and celebrity. more...

  • Improby Keith Johnstone

    Taylor and Francis 2012; US$ 31.95

    Keith Johnstone's involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatre, commissioned a play from him. This was in 1956. A few years later he was himself Associate Artistic Director, working as a play-reader and director, in particular helping to run the Writers' Group. The improvisatory... more...