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History and criticism

Most popular at the top

  • Twentieth-Century Poetryby Peter Verdonk

    Routledge 1993; US$ 52.95

    This textbook, based on extensive teaching experience,makes new insights from linguistic and literary scholarship accessible to students in their daily practice of reading, analysing and evaluating literary texts. more...

  • International Who's Who in Poetry 2005by Europa Publications

    Europa Publications 2003; US$ 255.00

    The 13th Edition of the INTERNATIONAL WHO?S WHO IN POETRY provides biographical information on over 4,000 poets. The biographies include, where available, personal and contact details, information on career and honours, as well as poets? own publications, their contributions to anthologies, periodicals and, increasingly, to other forms such as online publications and poetry events. For each edition existing entrants are given the opportunity to make necessary amendments and additions to their biographies. Supplementary research is done by the Europa Publications editorial department in order to ensure that the book is as up to date as possible on publication. more...

  • Inscription and Modernityby John Kenneth MacKay

    Indiana University Press 2006; US$ 19.95

    Inscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a ... more...

  • Poetic Creationby Carl Fehrman

    University of Minnesota Press 1980; US$ 67.50

    Myths of creativity have changed throughout Western literary history. The Romantic era cherished the idea of creativity as a spontaneous, unpremeditated act, closely related to improvisation. In the twentieth century the myth of the writer as a worker amo more...

  • Poesie Der Grammatik Und Grammatik Der Poesieby Roman Jakobson

    Walter de Gruyter, Inc. 2008; US$ 534.00

    Roman Jakobson’s ‘Poetry of Grammar and Grammar of Poetry’ (1981), that monumental work of his later years, together with its later additions, was and is a theoretical challenge both for General and Comparative Literature and for the study of individual literatures. However, the sovereign multilinguality of these linguistic analyses of poetry has not only resulted in their being received world-wide, but has also presented a seemingly insurmountable difficulty, as there is hardly a reader who is able to understand them all, let alone discuss them critically. To remedy this situation – no more and no less – is the objective of this German edition of all of Jakobson’s structuralist analyses of poems... more...

  • Fundamentals of the Art of Poetryby Oscar Mandel

    Continuum International Publishing 1998; US$ 170.00

    Fundamentals of the Art of Poetry takes the reader on a journey that sets out with a consideration of the various arts humankind has created, and then focuses on the special art of poetry: what poetry is, what it does and must do in order to 'succeed' for whom it does what it does, and, in detail, how it goes about doing what it tries to do. Twenty-two chapters deal with subjects like 'The Constituencies for Art', 'What Meaning Means', 'Acceptable and Unacceptable Propositions', 'The Right Word in the Right Place', 'The Sounds that Matter in Poetry', 'Energetic Metaphor: the Major Figure' and so on, including an eloquent epilogue 'Touching Genius'. Writing with great brio and tough-minded... more...

  • The Art of Poetryby Shira Wolosky

    Oxford University Press, USA 2008; US$ 14.95

    Preface. 1. Word Choice. 2. Syntax and the Poetic Line. 3. Images: Simile and Metaphor. 4. Metaphor and the Sonnet. 5. The Sonnet. 6. Poetic Conventions. 7. More Verse Forms. 8. Personification. 9. Poetic Voice. 10. Gender and Poetic Voice. 11. Poetic Rhythm: Metric. 12. Poetic Rhythm: Sound and Rhyme. 13. Rhetoric: More Tropes. 14. Incomplete Figures and the Art of Reading. Appendix. Glossary. Bibliographical Backgrounds. Index of Poems. Index of Poets. Index of Terms and Topics more...

  • Nobody's Nationby Paul Breslin

    University of Chicago Press 2009; US$ 30.00

    Nobody's Nation offers an illuminating look at the St. Lucian, Nobel-Prize-winning writer, Derek Walcott, and grounds his work firmly in the context of West Indian history. Paul Breslin argues that Walcott's poems and plays are bound up with an effort to re-imagine West Indian society since its emergence from colonial rule, its ill-fated attempt at political unity, and its subsequent dispersal into tiny nation-states. According to Breslin, Walcott's work is centrally concerned with the West Indies' imputed absence from history and lack of cohesive national identity or cultural tradition. Walcott sees this lack not as impoverishment but as an open space for creation. In his poems and plays, West Indian history becomes a realm of necessity,... more...

  • The Philosophy of Styleby Herbert Spencer

    The Floating Press 1852; US$ 6.99

    Herbert Spencer was an English philosopher and prominent social theorist of the Victorian era. In his work The Philosophy of Style he argues that written language should be as easy to understand as possible, allowing for the most effective and efficient possible communication. His suggestions for sentence structure supported ideas on formalist rhetoric. more...

  • A Transnational Poeticsby Jahan Ramazani

    University of Chicago Press 2009; US$ 29.00

    Poetry is often viewed as culturally homogeneous—“stubbornly national,” in T. S. Eliot’s phrase, or “the most provincial of the arts,” according to W. H. Auden. But in A Transnational Poetics, Jahan Ramazani uncovers the ocean-straddling energies of the poetic imagination—in modernism and the Harlem Renaissance; in post–World War II North America and the North Atlantic; and in ethnic American, postcolonial, and black British writing. Cross-cultural exchange and influence are, he argues, among the chief engines of poetic development in the twentieth- and twenty-first centuries.             Reexamining the work of a wide array of poets,... more...