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- John Benjamins Publishing Company 1985; US$ 98.00
Pragmatics and Fiction explores the basic pragmatic differences between fictional and nonfictional discourse. These differences derive mainly from the creation of a fictional figure who narrates the text and who, in turn, addresses his narrative to a fictional audience. Since these figures become the language users of the fictional text and, therefore,... more...
- University of Nebraska Press 2011; US$ 40.00
We tell ourselves stories in order to live, Joan Didion observed in The White Album. Why is this? Michael Austin asks, in Useful Fictions. Why, in particular, are human beings, whose very survival depends on obtaining true information, so drawn to fictional narratives? After all, virtually every human culture reveres some form of storytelling.... more...
- Oxford University Press, UK 2007; US$ 124.99
This study reflects on contemporary humanistic pedagogy by exploring the limits of the teachable. Revisiting the Bildungsroman , it studies the pedagogical relationship from the point of view of the mentor rather than of the young hero. Writers examined include Rousseau, Sterne, Goethe, Nietzsche, D. H. Lawrence, F. R. Leavis, and J. M. Coetzee. -... more...
- University of Iowa Press 2007; US$ 29.95
In what can only be called a genuine intellectual adventure, Russell Berman raises fundamental questions long ignored by literary scholars; Why does literature command our attention at all? Why would society want to cultivate a sphere of activity devoted to the careful study of literary fiction? Written as a tonic to what he calls the debilitating... more...
- Infobase Publishing 2011; US$ 45.00
Camus's landmark novel traces the aftermath of a shocking crime and the man whose fate is sealed with one rash and foolhardy act. The Stranger presents readers with a new kind of protagonist, a man unable to transcend the tedium and inherent absurdity of everyday existence in a world indifferent to the struggles and strivings of its human denizens.... more...
- University of Delaware 2012; US$ 84.99
As the first book to use fiction as theory, Shakespeare and Contemporary Fiction reads backward to demonstrate how recent novelists redeploy foundling and lyric plots to uncover a Shakespeare who similarly challenges the mythological homogeneity that scripts us. more...
- Editions Rodopi 2012; US$ 70.20
The years following the attacks of September 11, 2001 have seen the publication of a wide range of scientific analyses of terrorism. Literary studies seem to lag curiously behind this general shift of academic interest. The present volume sets out to fill this gap. It does so in the conviction that the study of literature has much to offer to the transdisciplinary... more...
- F+W Media 2012; US$ 17.99
Let's face it: Christian fiction is fun. Even if you're writing a serious-minded study of man's inhumanity to man, there is something exhilarating about story; about creating people and worlds and events; about telling a tale that keeps readers enraptured and maybe - just maybe - leaves them fortified in their walk with Jesus. But for all of the... more...
- ABC-CLIO 2003; US$ 122.00
Arguing that genre must play a role in our study of narrative fiction, this tour of the novel examines interactive storytelling scenes in which characters argue about how to tell a tale that meets their respective social and aesthetic expectations. Through intense readings of interactive storytelling scenes in works spanning the 17th through 20th centuries,... more...
- De Gruyter 2011; US$ 112.00
How does narratology relate to narrative strangeness? This question is urgent for narratologists who share a marked skepticism towards the idea of using ?natural? narratives as some kind of genetic model for understanding and interpreting all kinds of narratives, and for whom the distinction of fiction is important. This anthology presents a collection... more...