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  • Maximum Movies - Pulp Fictionsby Peter Stanfield; Richard Maltby

    Rutgers University Press 2011; US$ 25.95

    In the words of Richard Maltby . . . "Maximum Movies--Pulp Fictions describes two improbably imbricated worlds and the piece of cultural history their intersections provoked." One of these worlds comprises a clutch of noisy, garish pulp movies-- Kiss Me Deadly, Shock Corridor, Fixed Bayonets!, I Walked with a Zombie, The Lineup, Terror in a Texas... more...

  • Explorations in New Cinema Historyby Richard Maltby; Daniel Biltereyst; Philippe Meers

    Wiley 2011; US$ 52.95

    Explorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema?s audiences, the experience of cinema, and the cinema as a site of social and cultural exchange. Includes contributions... more...

  • Cinema, Audiences and Modernityby Daniel Biltereyst; Richard Maltby; Philippe Meers

    Taylor and Francis 2013; US$ 43.95

    This book sheds new light on the cinema and modernity debate by confronting established theories on the role of the modern cinematic experience with new empirical work on the history of the social experience of cinema-going, film audiences and film exhibition. The book provides a wide range of research methodologies and perspectives on these matters,... more...

  • Going to the Moviesby Richard Maltby; Melvyn Stokes; Robert C. Allen

    Exeter University Press 2014; US$ 95.00

    In pioneering essays by many of the leading experts in this rapidly-developing field of cinema history, Going to the Movies moves beyond the familiar images of nickelodeons and movie palaces to analyse the place of movie theatres in local communities, the roles of race and religion in constructing and segregating audiences, the links between film and... more...

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