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- Taylor and Francis 2004; US$ 45.95
Including a foreword by Simon Callow, a dedicated admirer of the Maly, Dodin and the Maly Drama Theatre provides both a valuable methodological model for actor training and a unique insight into the journeys taken from studio to stage. This is the first ever full-length study of internationally-acclaimed theatre company, the Maly Drama Theatre... more...
- A&C Black 1998; US$ 19.49
Edward Brauns acclaimed work on Meyerhold available for the first time in paperback. Vsevolod Meyerhold began his career in theatre as an actor with the Moscow Art Theatre, and after a spell in the remote provinces, he returned to Moscow at Stanislavskis invitation and founded a new, experimental studio for the Art Theatre. This book takes... more...
- Taylor and Francis 2003; US$ 33.95
All books in the Routledge Performance Practitioners series are carefully designed to enable the reader to understand the work of a key practitioner. They provide the first step towards critical understanding and a springboard for further study for students on twentieth century, contemporary theatre and theatre history courses. Michael Chekhov's... more...
- Taylor and Francis 1996; US$ 135.00
Unprecedented in its comprehensiveness, The Moscow Art Theatre fills a large gap in our knowledge of Stanislavsky and his theatre. Worrall focuses in particular detail on four of The Moscow Art Theatre's best-known productions: * Tolstoy's Tsar Fedor Ioannovich * Gorky's The Lower Depths * Chekov's The Cherry Orchard * Turgenev's A Month... more...
- Taylor and Francis 1998; US$ 58.95
The reviews and features collected in John Freedman's Moscow Performances bring to life the diversity, energy, and imagination of Russian theater as few books have done before. While focusing on the work of Moscow's leading directors - Pyotr Fomenko, Kama Ginkas, Valery Fokin, Anatoly Vasilyev, Konstantin Raikin, Sergei Zhenovach, Yury Lyubimov,... more...
- Taylor and Francis 1999; US$ 39.95
This is a collection of John Freedman's reviews and articles, most originally written for the Moscow Times, in which he focuses his expert critical eye on the directors, writers and actors who held centre stage during the 1996-97 theatre season in Moscow. The book looks at the debut of promising new artists and directors at the Moscow Art Theatre... more...
- Taylor and Francis 2005; US$ 47.95
This is the first English translation of Michael Chekhov?s two-volume autobiography, combining The Path of the Actor (1927) and extensive extracts from his later volume Life and Encounters . Full of illuminating anecdotes and insightful observations involving prominent characters from the MAT and the European theatre of the early twentieth century,... more...
- Intellect 2009; US$ 20.00
New Russian Drama began its rise at the end of the twentieth century, following a decline in dramatic writing in Russia that stemmed back to the 1980s. Authors Beumers and Lipovetsky examine the representation of violence in these new dramatic works penned by young Russian playwrights. Performing Violence is the first English-language study of the... more...
- University of California Press 2002; US$ 55.00
This is the most comprehensive study available of the popular theater that developed during the last decades of tsarist Russia. Swift examines the origins and significance of the new "people's theaters" that were created for the lower classes in St. Petersburg and Moscow between 1861 and 1917. His extensively researched study, full of anecdotes from... more...
- University of Iowa Press 1994; US$ 29.95
How, why, and according to whose definitions and requirements does a culture self-consciously create memory and project its fate? In this remarkable book—the first in English to treat Russian history as theatre and cultural performance—Spencer Golub reveals the performative nature of Russian history in the twentieth century and the... more...