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How Ficta Follow Fictionby Alberto Voltolini
Springer 2006; US$ 169.00Presents a theory of fictional entities which is syncretistic insofar as it integrates the work of previous authors. This work puts forward a metaphysical conception of the nature of these entities, according to which a fictional entity is a compound entity built up from both a make-believe theoretical element and a set theoretical element. more...
Murder by Accidentby Jody Enders
University of Chicago Press 2009; US$ 36.00Over fifty years ago, it became unfashionable—even forbidden—for students of literature to talk about an author’s intentions for a given work. In Murder by Accident , Jody Enders boldly resurrects the long-disgraced concept of intentionality, especially as it relates to the theater. Drawing on four fascinating medieval events in which a theatrical performance precipitated deadly consequences, Enders contends that the marginalization of intention in critical discourse is a mirror for the marginalization—and misunderstanding—of theater. Murder by Accident revisits the legal, moral, ethical, and aesthetic limits of the living arts of the past, pairing them with examples from the present, whether they be reality... more...
The Actor's Book of Classical Monologuesby Various; Stefan Rudnicki
Penguin Group Inc. 1988; US$ 12.99Over 150 challenging solo pieces for actors and actresses of all ages have been culled from both well-known and lesser-known works. The monologues range from Greek drama to Restoration comedy and feature a generous supply of Shakespeare. more...
The First Five Pagesby Noah Lukeman
Simon & Schuster 2010; US$ 10.99In The First Five Pages, literary agent Noah Lukeman reveals the necessary elements of good writing, whether it is fiction, nonfiction, journalism, or poetry. Lukeman points out errors that will immediately send your manuscript into the rejection pile, including: A weak opening hook Overuse of adjectives and adverbs Flat or forced metaphors and similes Melodramatic, commonplace, or confusing dialogue Undeveloped characterizations and lifeless settings Unoriginal plot and characters A lack of plot progression and uneven pacing With exercises at the end of each chapter, this invaluable reference will allow novelists, journalists, poets, and screenwriters alike to improve their technique as they learn to eliminate... more...
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Palgrave Macmillan Ltd. 2010; US$ 80.00Assembling a remarkable group of scholars, these essays explore how the circulation and exchange of 'vectors of the radical' shape the avant-garde. Mapping the movement of scripts, theatre activists, performances, and other material entities, they provide unprecedented perspectives on the transnational performance culture of the avant-garde. more...
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Amsterdam University Press 2010; US$ 52.90In Tweede levens belichten zeventien auteurs, voornamelijk historici en letterkundigen, verschillende aspecten van de veelvormige relatie tussen persoon en personage. Een gevarieerd gezelschap van personen uit alle eeuwen en windstreken komen aan bod: kunstenaars als Vergilius, Van Gogh en Ravel; politici als Roosevelt, Stalin en Sarkozy. Ook een enkele mythische fi guur, bijvoorbeeld Andromache, en puur fictionele personages als Simenons Maigret en Becketts Krapp worden behandeld. Centraal staat de vraag hoe personen in personages veranderen wanneer ze deel gaan uitmaken van een roman of biografie, of een rol spelen in het openbare leven en zich een publiek imago aanmeten. more...
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Taylor & Francis 2010; US$ 38.95What does it mean to "fail" in performance? How might staging failure reveal theatre?s potential to expand our understanding of social, political and everyday reality? What can we learn from performances that expose and then celebrate their ability to fail? In Performance Theatre and the Poetics of Failure , Sara Jane Bailes begins with Samuel Beckett and considers failure in performance as a hopeful strategy. She examines the work of internationally acclaimed UK and US experimental theatre companies Forced Entertainment, Goat Island and Elevator Repair Service, addressing accepted narratives about artistic and cultural value in contemporary theatre-making. Her discussion draws on examples where misfire, the accidental and the intentionally... more...
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Editions Rodopi 2007; US$ 98.00In contrast to narrative, description is a much less researched phenomenon, and where it so far has found attention at all, scholars have almost always discussed it with fiction in mind. The all but exclusive concentration on literature has hitherto obscured the fact that description transcends literature and indeed the verbal media in general and is not only a transgeneric but also a transmedial phenomenon that can be found in many other media and arts. This book is a pioneering interdisciplinary study of description since it for the first time undertakes to close this research lacuna by highlighting description and its relevance with reference to a wide spectrum of arts and media. The volume opens with a detailed introductory essay, which... more...
