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- Georg Olms Verlag 2015; US$ 14.30
Die Frage, was Begabung sei, ist ebenso so alt und aktuell, wie Schule und Unterricht, Lernen und Lehren im öffentlichen Bewusstsein stehen und bildungspolitisch diskutiert werden. Dabei stellt sich die Frage, was denn eigentlich Begabung im Allgemeinen und musikalische Begabung im Besonderen ausmache und woran sie zu erkennen sei. Auf dem Wege der... more...
- University of California Press 2007; US$ 19.96
"What can be done about the state of classical music?" Lawrence Kramer asks in this elegant, sharply observed, and beautifully written extended essay. Classical music, whose demise has been predicted for at least a decade, has always had its staunch advocates, but in today?s media-saturated world there are real concerns about its viability. Why Classical... more...
- University of Minnesota Press 2005; US$ 70.50
Aden Evens provides an acute consideration of how music becomes sensible, advancing original variations on the themes of creativity and habit, analog and digital technologies, and improvisation and repetition. Sound Ideas reinvents the philosophy of music in a way that encompasses traditional aspects of musicology, avant-garde explorations of music's... more...
- Liverpool University Press 2000; US$ 70.00
Like literature and art, music has works. But not every piece of music is called a work, and not every musical performance is made up of works. The complexities of this situation are explored in these essays, which examine a broad swathe of western music. From plainsong to the symphony, from Duke Ellington to the Beatles, this is at root... more...
- BRILL 2007; US$ 86.00
This study deals with time and with music, and the link between the two is the suggestion that music is a modeling of the way we construct time. Time?the now, duration, succession and order of succession; the past, the future?is seen as a resource for managing systemic disequilibrium and as the evolutionary elaboration of the now. more...
- Scarecrow Press 2008; US$ 59.99
The Contradictions of Jazz examines four pairs of opposites in jazz-freedom and responsibility, creativity and tradition, individualism and interconnectedness, and assertion and openness-and explores their position and presence in jazz to create a humanistic and existential view of the genre. more...
- Fordham University Press 2007; US$ 23.99
In this intimate meditation on listening, Peter Szendy examines what the role of the listener is, and has been, through the centuries. The role of the composer is clear, as is the role of the musician, but where exactly does the listener stand in relation to the music s/he listens to? What is the responsibility of the listener? Does a listener have... more...
- J.B. Metzler'sche Verlagsbuchhandlung und Carl Ernst Poeschel Verlag GmbH 2003; US$ 31.82
Dieser Band gibt einen orientierenden Überblick über einen bisher vernachlässigten Forschungsgegenstand. Er konzentriert sich auf die deutsche Philosophie, deren Tradition mit musikphilosophischer Reflexion besonders eng verknüpft ist; u.a. Kant, Hegel, Schopenhauer, Nietzsche, Bloch, Heidegger, Gadamer und Adorno. Die Kapitel sind so aufgebaut, dass... more...