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- Wiley 2011; US$ 53.95
In a series of newly commissioned essays by both established and emerging scholars, Globalization and Contemporary Art probes the effects of internationalist culture and politics on art across a variety of media. Globalization and Contemporary Art is the first anthology to consider the role and impact of art and artist in an increasingly... more...
- Seven Stories Press 2011; US$ 21.95
Subversive and incendiary, this full-color poster book reworks classic war propaganda to comment on corporate corruption, domestic spying, election fraud, gay marriage, blind patriotism, the "War on Terror," and surveillance in America today. With laughs and jeers, Wright’s distinctive artwork and astute political commentary offers timely and... more...
- New Press, The 2011; US$ 24.95
In the last thirty years of the Soviet Communist project, Viktor Koretsky?s art struggled to solve an enduring riddle: how to ensure or restore Communism?s moral health through the production of a distinctively Communist vision. In this sense Koretsky?s art demonstrates what an ?avant-garde late Communist art? would have looked like if we had ever... more...
- eContent Management Pty Ltd 2006; US$ 45.00
The arts constitute a garden in which we commune with the life force and grow physically, intellectually, emotionally and spiritually, and without which we cannot live. We have a responsibility to tend this garden, and to nourish its enduring cycles of evolution and growth. This ground-breaking and vital book shows us how. It is the result of sustained... more...
- Princeton University Press 2012; US$ 18.95
The international controversy over who "owns" antiquities has pitted museums against archaeologists and source countries where ancient artifacts are found. In his book Who Owns Antiquity? , James Cuno argued that antiquities are the cultural property of humankind, not of the countries that lay exclusive claim to them. Now in Whose Culture? , Cuno... more...
- Taylor and Francis 2012; US$ 140.00
Few phenomena are as formative of our experience of the visual world as displays of suffering. But what does it mean to have an ethical experience of disturbing or traumatizing images? What kind of ethical proposition does an image of pain mobilize? How may the spectator learn from and make use of the painful image as a source of ethical reflection?... more...
- Taylor and Francis 2013; US$ 140.00
Archaeology?s links to international relations are well known: launching and sustaining international expeditions requires the honed diplomatic skills of ambassadors. U.S. foreign policy depends on archaeologists to foster mutual understanding, mend fences, and build bridges. This book explores how international partnerships inherent in archaeological... more...