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Study & Teaching

Most popular at the top

  • Ukiyo-Eby Dora Amsden; Woldermar von Seidlitz

    Parkstone International 2014; US$ 5.00

    Ukiyo-e (?pictures of the floating world?) is a branch of Japanese art which originated during the period of prosperity in Edo (1615-1868). Characteristic of this period, the prints are the collective work of an artist, an engraver, and a printer. Created on account of their low cost thanks to the progression of the technique, they represent daily... more...

  • Institutional Timeby Judy Chicago

    The Monacelli Press 2014; US$ 19.95

    A revered teacher and the most influential feminist artist of our time, Judy Chicago provides an autobiographical look at higher education in art, a must-read for aspiring artists and educators in studio art programs.    How should women?and men?be prepared for a career in today?s art world? For more than a decade, Judy Chicago has been formulating... more...

  • Hokusaiby Edmond de Goncourt

    Parkstone International 2014; US$ 8.95

    Katsushika Hokusai ist ohne Zweifel der seit der Mitte des 19. Jahrhunderts im Westen berühmteste Künstler Japans. Die Werke Hokusais spiegeln die künstlerischen Ausdrucksformen einer isolierten Kultur wider. Gleichzeitig war er einer der ersten japanischen Künstler, der in Europa Bekanntheit erlangte und großen Einfluss auf impressionistische... more...

  • Hokusaiby C.J. Holmes

    Parkstone International 2014; US$ 5.00

    Without a doubt, Katsushika Hokusai is the most famous Japanese artist since the middle of the nineteenth century whose art is known to the Western world. Reflecting the artistic expression of an isolated civilisation, the works of Hokusai - one of the first Japanese artists to emerge in Europe - greatly influenced the Impressionist and Post-Impressionist... more...

  • Museum Representations of Maoist Chinaby Amy Jane Barnes

    Ashgate Publishing Ltd 2014; US$ 119.95

    The collection, interpretation and display of art from the People’s Republic of China, and particularly the art of the Cultural Revolution, have been problematic for museums. These objects challenge our perception of ‘Chineseness’ and their style, content and the means of their production question accepted notions of how we perceive... more...

  • The China Collectorsby Karl E. Meyer; Shareen Blair Brysac

    St. Martin's Press 2015; US$ 30.99

    The untold and fascinating history of the unlikely artistic encounters between the US and China, the youngest and oldest of major powers more...

  • Japanese Woodblock Print Workshopby April Vollmer

    Ten Speed Press 2015; US$ 29.99

    An inspirational how-to course on Japanese woodblock printing's history and techniques, with guidance on materials and studio practices, step-by-step demonstrations, and examples of finished works by modern masters of the medium as well as historic pieces.        An increasingly popular yet age-old art form, Japanese woodblock printing ( mokuhanga... more...

  • Engaged with the Artsby John Tusa

    I.B.Tauris 2007; US$ 55.00

    John Tusa has been Managing Director of London?s Barbican Centre for more than a decade. In that time he has been a notable controversialist, speaking up for the need for the arts, defending their achievements and arguing for more funding. This selection of John Tusa?s passionately argued, candid and challenging essays on the arts in Britain today... more...

  • Language in Public Spaces in Japanby Nanette Gottlieb

    Taylor and Francis 2014; US$ 37.95

    This book throws light on ideologies, practices and sociocultural developments currently shaping language use in Japan by departing from the more common investigation of language in private contexts and examining aspects of the language found in a range of significant public spaces, from the material (an international airport, the streets of Tokyo,... more...

  • Rakugoby Lorie Brau

    Lexington Books 2008; US$ 38.99

    Rakugo introduces the storytelling genre of Edo-style rakugo as performed around the turn of the twenty-first century, focusing on the performers' image, training, and techniques and the art's contexts and audiences. Brau argues that, while storytellers' goal of making a hit with audiences sustains the art's vitality, rakugo has come to represent something... more...